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  <url>
    <loc>https://www.connecticutartreview.com/blog</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2023-03-13</lastmod>
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  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/10/23/review-maggie-nowinski-drawn-whole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540306985323-DBH1ULL5WASQ5VAZKPOB/DRAWN%2BWHOLE%2Bimage%2B1.jpg</image:loc>
      <image:title>hello - Review | Maggie Nowinski : Drawn wHole</image:title>
      <image:caption>Maggie Nowinski at Real Art Ways</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540312715990-CDLPTPL8SJIRR6O7I8IF/Nowinski%2C+M+wHoles.jpg</image:loc>
      <image:title>hello - Review | Maggie Nowinski : Drawn wHole</image:title>
      <image:caption>Maggie Nowinski, What I Don’t Remember/in Memoriam, 2018. Installation of wHoles: individual drawings, inks and acrylics on primed canvas scrolls, yupo, floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540313024910-JQIQKBUMS2P1M9JAH9EO/4_Untitled%2BAdaptation%2B%28Anthroposcenic%2BTorque%29%2Bvertical.jpg</image:loc>
      <image:title>hello - Review | Maggie Nowinski : Drawn wHole</image:title>
      <image:caption>Maggie Nowinski, Untitled Specimen, 2017. Ink on paper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/10/23/introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540304485654-9L1K5OMCJIZAU74WVF2X/Dread-Scott-03.jpg</image:loc>
      <image:title>hello - Introduction</image:title>
      <image:caption>Dread Scott. Sign of the Times, 2001. Screenprint; 39 x 39 inches. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540304289967-50UJ8YAO5OVY3OH7Z87U/Tukiainen%2C+Katja.jpg</image:loc>
      <image:title>hello - Introduction</image:title>
      <image:caption>Katja Tukiainen, Hi, my name is Peter. Do you want to find out why?, 2010. Oil on canvas, 70 by 70 cm. Courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/10/25/review-manuel-neri-the-human-figure-in-plaster-and-on-paper</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540526213138-23DY4EHVT5XB8FPVNL8X/bull+jumper+iii+02.jpg</image:loc>
      <image:title>hello - Review | Manuel Neri: The Human Figure in Plaster and on Paper</image:title>
      <image:caption>Manuel Neri, Bull Jumper III (1989). Plaster, water-based pigment, steel armature with styrofoam and burlap; 76.84 x 54.61 x 106.68 cm (30 1/4 x 21 1/2 x 42 in.). Copyright Artist/Estate/Foundation / Yale University Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540525735157-FSS9RXY1DP7WTUL9BF8J/neri.jpg</image:loc>
      <image:title>hello - Review | Manuel Neri: The Human Figure in Plaster and on Paper</image:title>
      <image:caption>Sculptor Manuel Neri in his Carrara Italy studio, 1983, photo by Sally Larsen [source]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1540525884258-G94JFLHZ7U45HNZN6A9Q/neri+mjiii.jpg</image:loc>
      <image:title>hello - Review | Manuel Neri: The Human Figure in Plaster and on Paper</image:title>
      <image:caption>Manuel Neri, M.J. Series III (1989). Plaster, dry pigments, steel armature, Styrofoam core, burlap; 171.45 x 55.88 x 27.94 cm (67 1/2 x 22 x 11 in.). Photo credit: Yale University Art Gallery. Courtesy of the artist and Hackett / Mill, San Francisco.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/11/28/studio-visit-noe-jimenez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543365311702-Q8OIJRM9IBJFJ2Y3T6Z5/NJ1.jpg</image:loc>
      <image:title>hello - Studio Visit | Noé Jimenez</image:title>
      <image:caption>Noé Jimenez, Gum, Grass, Debris, Water (2012). Oil and Acrylic on Canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543365633249-FK4BAN1HHZNSVF6413CD/IMG_2407.JPG</image:loc>
      <image:title>hello - Studio Visit | Noé Jimenez</image:title>
      <image:caption>Noé Jimenez in his studio, November 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1542730836779-RF21ARHIZP06WS7MJVMZ/836032fc-77bf-48c9-ba9a-cfd632781c2c_rw_1200.jpg</image:loc>
      <image:title>hello - Studio Visit | Noé Jimenez</image:title>
      <image:caption>Noé Jimenez, Untitled Grid (2018). Paper and Acrylic on Foam.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/11/16/paul-gagner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1542386663751-2CNRM20O5ODPGJ7W0UIP/Hexes_Curses_and_Spells_2015_LR.jpg</image:loc>
      <image:title>hello - Repost | "Dr. Howard Moseley Answers Your Questions"</image:title>
      <image:caption>Paul Gagner. Hexes, Curses and Spells, 2015. Oil on canvas, 10 x 14 inches. © Paul Gagner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1542386622924-GNYSGBSJBFULB5Y0J42C/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | "Dr. Howard Moseley Answers Your Questions"</image:title>
      <image:caption>Paul Gagner. Don’t Fuck it Up, 2015. Oil on canvas, 9 x 12 inches. Courtesy of the private collection of Rod Malin. © Paul Gagner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/11/26/essay-sofia-plater-the-resurrection-of-salvaged-goods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543240522311-COXH0LH7ITW0VH78A4B0/tilting+totems.jpg</image:loc>
      <image:title>hello - Essay | Sofia Plater: The Resurrection of Salvaged Goods</image:title>
      <image:caption>Sofia Plater, Tilting Totems (2018). Real Art Ways, Hartford, CT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543240137608-RIPBQYTY78RN3FONOUO4/Duchamp_Fountaine.jpg</image:loc>
      <image:title>hello - Essay | Sofia Plater: The Resurrection of Salvaged Goods</image:title>
      <image:caption>Marcel Duchamp, Fountain (1917).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543240305224-122X5F9QPMJPM6MTL4T6/ALABAMA-CHANIN-LOUISE-NEVELSON-BRIDE-GROOM-PHOTO-COURTESY-OF-RITALOVESTOWRITE.COM_.jpg</image:loc>
      <image:title>hello - Essay | Sofia Plater: The Resurrection of Salvaged Goods</image:title>
      <image:caption>Louise Nevelson, Dawn’s Wedding Feast (1959).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543239860243-BMRJDSO3RAVSEWYYY3K9/sofiapanorama-mantle.png</image:loc>
      <image:title>hello - Essay | Sofia Plater: The Resurrection of Salvaged Goods</image:title>
      <image:caption>Sofia Plater, Cultch (2018). Real Art Ways, Hartford, CT.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/11/8/hong-hong-dark-segment</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1541710166114-89LBXINWQNCF6KB9VBSW/Hong_1.jpg</image:loc>
      <image:title>hello - Repost | "Making Paper: Hong Hong’s Performative Process"</image:title>
      <image:caption>Hong completes a large-scale paper pour at the Dirt Salon in Hartford, Connecticut, 2015. Photographer: Justin O’Brien. Courtesy of Artist. © Justin O’Brien.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1542380276151-49KRK0ZS4FX4KKZLSHWJ/Hong_3.jpg</image:loc>
      <image:title>hello - Repost | "Making Paper: Hong Hong’s Performative Process"</image:title>
      <image:caption>Hong Hong. Selection from All the Light in a Vivid Dream series, 2017. Kozo, repurposed paper, dust, sun, water; 150 x 140 in. Photographer: John Groo. Courtesy of Artist and Real Art Ways (Hartford). © Hong Hong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1541710485413-HXWC40AGV6TKPYZ63BOI/IMG_2202.jpg</image:loc>
      <image:title>hello - Repost | "Making Paper: Hong Hong’s Performative Process"</image:title>
      <image:caption>Hong Hong at Real Art Ways, Hartford, Connecticut</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/11/28/review-jeremiah-palecek-peter-ramon-and-amy-vensel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543528457690-UUFWO8UYJYLGJM1Y20LJ/AmyVensel_Subda_1500pw.jpg</image:loc>
      <image:title>hello - Review | Jeremiah Palecek, Peter Ramon, and Amy Vensel</image:title>
      <image:caption>Amy Vensel, Subda (2018). Acrylic on canvas, 9.5 by 9.75 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543528789279-EJBANPGE752NQRC5P14G/jp.jpg</image:loc>
      <image:title>hello - Review | Jeremiah Palecek, Peter Ramon, and Amy Vensel</image:title>
      <image:caption>Jeremiah Palecek, Untitled (2018). Oil on panel, 12 by 16 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/12/26/review-george-shaw-a-corner-of-a-foreign-field</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1545853650706-HZPROQFARAAA51G3M3BG/shaw_ash_wednesday_7_am_w.jpg</image:loc>
      <image:title>hello - Review | George Shaw: A Corner of a Foreign Field</image:title>
      <image:caption>George Shaw, Ash Wednesday: 7.00am, 2004–5, Humbrol enamel on board, Private Collection, courtesy of the artist and the Anthony Wilkinson Gallery, London, © George Shaw 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1545853490562-CUVYRCR8YBMTI9SZJJXQ/shaw_scenes_from_the_passion_w.jpg</image:loc>
      <image:title>hello - Review | George Shaw: A Corner of a Foreign Field</image:title>
      <image:caption>George Shaw, Scenes from The Passion: No. 57, 1996, Humbrol enamel on board, Royal College of Art, London, courtesy of the artist and the Anthony Wilkinson Gallery, London, © George Shaw 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1545853585933-L35KDHHHWY6J4WQM2GQQ/69_077_mums-wg-gsha-00821-photog-matthew-hollow_w.jpg</image:loc>
      <image:title>hello - Review | George Shaw: A Corner of a Foreign Field</image:title>
      <image:caption>George Shaw, Mum’s, 2018, Humbrol enamel on canvas, Yale Center for British Art, Friends of British Art Fund, courtesy of the artist and the Anthony Wilkinson Gallery, London, © George Shaw 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1545853735610-VE09AMGCEOGYZELCT2R9/WG-GSHA-00816-300-visitor_sm.jpg</image:loc>
      <image:title>hello - Review | George Shaw: A Corner of a Foreign Field</image:title>
      <image:caption>George Shaw, The Visitor, 2017, Humbrol enamel on canvas. Private Collection. © George Shaw.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/12/9/review-false-flag-the-space-between-paranoia-and-reason</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544413776889-02TZW653C38JJB2VVK6Z/image-asset.jpeg</image:loc>
      <image:title>hello - Review | False Flag: The Space Between Paranoia and Reason</image:title>
      <image:caption>False Flag installation shot. Left to right: Daniel Keller, Violet Dennison, Son Kit, and Mark Flood. Credit: Object Studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544414035365-Y5GZQ0TV24R4SNYROAFZ/FranklinStreetWorks_12004.jpg</image:loc>
      <image:title>hello - Review | False Flag: The Space Between Paranoia and Reason</image:title>
      <image:caption>False Flag installation shot. James Benning, Two Cabins (2011). Two-channel HD video installation. Credit: Object Studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544414204195-79AW8W2YHP9ED5M7BFO9/FranklinStreetWorks_12015.jpg</image:loc>
      <image:title>hello - Review | False Flag: The Space Between Paranoia and Reason</image:title>
      <image:caption>False Flag installation shot. Harry Dodge and Stanya Kahn, All Together Now (2008). Color video with sound. Credit: Object Studies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544412771637-WE9GX1HFW1IVU48508M2/FranklinStreetWorks_11991.jpg</image:loc>
      <image:title>hello - Review | False Flag: The Space Between Paranoia and Reason</image:title>
      <image:caption>False Flag installation shot. Artists left to right: Son Kit, Juliana Huxtable, Theodore Darst. Credit: Object Studies.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/12/1/repost-reading-critically-alexandra-bells-counternarratives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543718622605-JILCMH3PM87WMP1XKQNC/Bell_Teenager_Promise-1.jpg</image:loc>
      <image:title>hello - Repost | "Reading Critically: Alexandra Bell’s Counternarratives"</image:title>
      <image:caption>Alexandra Bell. A Teenager With Promise, 2017. Installation view, Center for the Advancement of Public Action, Bennington College. Photo by Keegan Ead. Courtesy of Usdan Gallery at Bennington College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543718884870-HSGZB5DPF265HJYIGZVW/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | "Reading Critically: Alexandra Bell’s Counternarratives"</image:title>
      <image:caption>Alexandra Bell, Counternarratives. Presented at MoMA PS1 as part of VW Sunday Sessions, 2017. Image courtesy MoMA PS1. Photo by Charles Roussel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543718517481-HSTUQICPZPUSOHSQSIZ7/Bell_Tulsa_Hate_Crime.jpg</image:loc>
      <image:title>hello - Repost | "Reading Critically: Alexandra Bell’s Counternarratives"</image:title>
      <image:caption>Alexandra Bell. Tulsa Hate Crime, 2017. Installation view, Crossett Library, Bennington College. Photo by Keegan Ead. Courtesy of Usdan Gallery at Bennington College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543718570010-PH0CAGKRCCL57479JAMB/Bell_Venus_Williams_Detail.jpg</image:loc>
      <image:title>hello - Repost | "Reading Critically: Alexandra Bell’s Counternarratives"</image:title>
      <image:caption>Alexandra Bell. Venus Williams, 2017. Installation view, DownCaf, Bennington College. Photo by Keegan Ead. Courtesy of Usdan Gallery at Bennington College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1543718450619-XYXVWAAXHEGYI9V39GS2/Bell_Olympic_Threat_Detail.jpg</image:loc>
      <image:title>hello - Repost | "Reading Critically: Alexandra Bell’s Counternarratives"</image:title>
      <image:caption>Alexandra Bell. Olympic Threat, 2017. Installation view, Buildings and Grounds, Bennington College. Photo by Keegan Ead. Courtesy of Usdan Gallery at Bennington College.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2018/12/7/review-in-plain-sightsite</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544206401942-SYPXC0COGYS7EOOL55KU/image-asset.jpeg</image:loc>
      <image:title>hello - Review | In Plain Sight/Site</image:title>
      <image:caption>From the exhibition, In Plain Sight/Site. Photographer: Jessica Smolinksi. Artists from left to right: Maya Vivas, Jocelyn Braxton Armstrong, Deborah Jack, Tariku Shiferaw.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544206247858-H84NPHB0DZA6EC8M2N9A/InPlainSight_Site-014.jpg</image:loc>
      <image:title>hello - Review | In Plain Sight/Site</image:title>
      <image:caption>From the exhibition, In Plain Sight/Site. Photographer: Jessica Smolinksi. Left to Right: James Montford, Nate Lerner, and Kimberly Becoat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544205971806-QC5O6DPBSCV275IZBGEH/InPlainSight_Site-002.jpg</image:loc>
      <image:title>hello - Review | In Plain Sight/Site</image:title>
      <image:caption>Adama Delphine Fawundu, In the Face of History (2017-18). Dimensions variable, screenprint on paper. From the exhibition, In Plain Sight/Site. Photographer: Jessica Smolinksi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1544206637913-OXHSNB3NIWAT7TUGZI9C/InPlainSight_Site-058.jpg</image:loc>
      <image:title>hello - Review | In Plain Sight/Site</image:title>
      <image:caption>Paintings by Tajh Rust in the exhibition, In Plain Sight/Site. Photographer: Jessica Smolinksi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/2/12/is-there-racism-in-heavenan-interview-with-nick-cave</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550006110657-S9074RJ99A8AO77QPRDE/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | “Is There Racism in Heaven?”—An Interview with Nick Cave</image:title>
      <image:caption>Nick Cave, Until (2016) installation view, MASS MoCA. Photo by James Prinz, courtesy of MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550006266072-GRXCSZXYH49YJ78TWWJE/nick-cave-04.jpg</image:loc>
      <image:title>hello - Repost | “Is There Racism in Heaven?”—An Interview with Nick Cave</image:title>
      <image:caption>Nick Cave, Until (2016) installation view, MASS MoCA. Photo by James Prinz, courtesy of MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550006171333-2U9EUS65PVTTM9RPBL8P/nick-cave-05.jpg</image:loc>
      <image:title>hello - Repost | “Is There Racism in Heaven?”—An Interview with Nick Cave</image:title>
      <image:caption>Nick Cave, Until (2016) installation view, MASS MoCA. Photo by James Prinz, courtesy of MASS MoCA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/2/3/studio-visit-megan-craig</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1549231022655-Y5WWKV6TC3T5U4WQAII8/IMG_1751.jpg</image:loc>
      <image:title>hello - Studio Visit | Megan Craig</image:title>
      <image:caption>Image courtesy of Megan Craig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1549231762667-K6Y5E5MSRUXM4TRGYCVQ/IMG_3477.JPG</image:loc>
      <image:title>hello - Studio Visit | Megan Craig</image:title>
      <image:caption>Inside the Anti-Deportation Cape at Megan Craig’s Studio, January 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1549232232479-NJDO36DKVBNWIULSKUL9/megancraig_featimg2.jpg</image:loc>
      <image:title>hello - Studio Visit | Megan Craig</image:title>
      <image:caption>Megan Craig, Shields installation view at Real Art Ways, Hartford, CT. April - June 2018. Photographer: Stephanie Anestis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1549232171210-D63TSG870I9RHC35AH7V/IMG_3467.jpg</image:loc>
      <image:title>hello - Studio Visit | Megan Craig</image:title>
      <image:caption>Megan Craig’s studio, January 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/2/18/review-colin-burke-16-weeks-under-the-pines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550500853503-7GA8RV12G7YUYDD0MP5Z/burke%2C+colin.jpg</image:loc>
      <image:title>hello - Review | Colin Burke: 16 Weeks Under the Pines</image:title>
      <image:caption>Colin Burke, Untitled (16 Weeks Under the Pines), 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550500357810-O0VS8VF9EN75569YDZI5/burke_colin+installation+view01.jpg</image:loc>
      <image:title>hello - Review | Colin Burke: 16 Weeks Under the Pines</image:title>
      <image:caption>Installation view. Colin Burke: 16 Weeks Under the PInes. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550500518809-USZED97S5N4PAPNEHRHA/View_from_the_Window_at_Le_Gras%2C_Joseph_Nice%CC%81phore_Nie%CC%81pce.jpg</image:loc>
      <image:title>hello - Review | Colin Burke: 16 Weeks Under the Pines</image:title>
      <image:caption>Joseph Nicéphore Niépce, View from the Window at Le Gras, 1826–27 (manually enhanced version). Source.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550501276193-S95LHEOC1HCKLATSCK1U/burke%252C%2Bcolin%2B002.jpg</image:loc>
      <image:title>hello - Review | Colin Burke: 16 Weeks Under the Pines</image:title>
      <image:caption>Colin Burke, Untitled (16 Weeks Under the Pines), 2018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/3/1/review-audible-bacillus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1551453972554-JGE3V4AJTO2960G48XLJ/audiblebacillus_004.jpg</image:loc>
      <image:title>hello - Review | Audible Bacillus</image:title>
      <image:caption>Candice Lin, Memory (Study #2), (2016). Distilled communal piss of the people hosting the work, glass jar, Lion’s mane mushrooms in substrate, plastic. 9 1/2 x 13 x 9 inches. Image: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1551453434163-GN402PQGSEV7N2VNAQ0K/audiblebacciluus_005.jpg</image:loc>
      <image:title>hello - Review | Audible Bacillus</image:title>
      <image:caption>Audible Bacillus Installation view, Zilkha Gallery, Wesleyan University. Image: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1551453588639-YWXYBY2NSCPAQ4ZCXVO4/image-asset.jpeg</image:loc>
      <image:title>hello - Review | Audible Bacillus</image:title>
      <image:caption>Mary Helena Clark, Ligature (2017). Glass cylinders, piezo discs, audio cable, medical tape, amplifier, media player, project box. 24 x 6 x 6 inches per cylinder. Image: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1551454373046-GEAKTVU8LQMM8UHLEFRK/audiblebacillus_002.jpg</image:loc>
      <image:title>hello - Review | Audible Bacillus</image:title>
      <image:caption>Stromatolite. Hoyt Limestone, Saratoga Springs, New York. 5 x 13 7/8 x 7 inches. Late Cambrian (~490 millions years old). On loan from the Joe Webb Peoples Museum and Collections, Earth and Environmental Sciences, Wesleyan University. Image: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1551453780581-K8BGOG3Q8KIM8VNKE77C/audiblebacillus_006.jpg</image:loc>
      <image:title>hello - Review | Audible Bacillus</image:title>
      <image:caption>Audible Bacillus installation view with Yoko Ono, Candice Lin, and Josh Tonsfeldt (left to right). Image: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/2/18/review-joe-bun-keo-silence-like-lasagna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550582599892-ZYIB0XTK4SHRO63KQV2Z/cropped+good_670.jpg</image:loc>
      <image:title>hello - Review | Joe Bun Keo: silence like lasagna</image:title>
      <image:caption>Joe Bun Keo, The Good Place (2019). Bowl, paperclips, dimensions variable. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550582509999-1T9NQBSHTONTOH23W2O6/install-1_1136.jpg</image:loc>
      <image:title>hello - Review | Joe Bun Keo: silence like lasagna</image:title>
      <image:caption>Installation View, Silence Like Lasagna, Middlesex Community College. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550582831424-J2FIENA8LSYBW5Z7O9WZ/rough_4032.jpg</image:loc>
      <image:title>hello - Review | Joe Bun Keo: silence like lasagna</image:title>
      <image:caption>Joe Bun Keo, Rough (2019). Iron Mountain storage box.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/4/5/review-matthew-barney-redoubt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1554476889046-J39MOTP7ZBFF7YNWPVD8/redoubt1_courtesy-of-YUAG.jpg</image:loc>
      <image:title>hello - Review | Matthew Barney: Redoubt</image:title>
      <image:caption>Matthew Barney, Two Virgins (2018). © Matthew Barney. Courtesy of Gladstone Gallery, New York and Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1554476817470-JBX1VLH3SRM6RBDD58E1/02-2.jpg</image:loc>
      <image:title>hello - Review | Matthew Barney: Redoubt</image:title>
      <image:caption>Matthew Barney, Redoubt: Base Plate Conductor, 2018, One electroplated copper plate with vinegar patina and seven engravings, on asphaltum ground in copper and charred pine frames, © Matthew Barney, Courtesy Gladstone Gallery-New York/Brussels. [source]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1554476668063-T2EOEBOSM4XODIN259DS/5_YUAG_Matthew-Barney_Redoubt_production-still-1024x684.jpg</image:loc>
      <image:title>hello - Review | Matthew Barney: Redoubt</image:title>
      <image:caption>Production still from Matthew Barney's Redoubt (2018). © Matthew Barney. Courtesy of Gladstone Gallery, New York and Brussels, and Sadie Coles HQ, London. Photo: Hugo Glendinning. [via Artnews}</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/3/20/studio-visit-erin-lee-antonak</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1553100223919-489HIAMMZGCI54RJX6XK/antonak_work_in_progress_image1%282%29.jpg</image:loc>
      <image:title>hello - Studio Visit | Erin Lee Antonak</image:title>
      <image:caption>In progress wall painting, 2017. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1553100306633-86QU54LF2FY5KV8WTLDE/antonak_conversation_SilkCornHuskPlasticFlowersTinimage2.jpg</image:loc>
      <image:title>hello - Studio Visit | Erin Lee Antonak</image:title>
      <image:caption>Sculptures by Antonak ; silk, corn husk, and plastic flowers. Photo: Erin Lee Antonak.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1553100555607-2ME1BL77GTQKD763J4J0/erin+antonak_001.jpg</image:loc>
      <image:title>hello - Studio Visit | Erin Lee Antonak</image:title>
      <image:caption>Erin Lee Antonak. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/3/8/repost-the-go-push-pops-on-future-feminisms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1552064722358-9R4MEABQ8F23G702S6B4/gpp2014.jpg</image:loc>
      <image:title>hello - Repost | The Go! Push Pops on Future Feminisms</image:title>
      <image:caption>Go! Push Pops in Katie Cercone’s studio, New York, 2014. Photo: Jacquelyn Gleisner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1552064840601-9MNYXECABO9RSM3G89NO/gpp004.jpg</image:loc>
      <image:title>hello - Repost | The Go! Push Pops on Future Feminisms</image:title>
      <image:caption>Go! Push Pops. Push Palmistry, 2014. Performance for Bushwick Open Studios, New York. Courtesy the artists. Courtesy Blonde Bundle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1552064780098-3R53Z4U68NAFYOXUO7XP/gpp+2014_003.jpg</image:loc>
      <image:title>hello - Repost | The Go! Push Pops on Future Feminisms</image:title>
      <image:caption>Go! Push Pops. Taped, a visit to Portia Munson’s Pink Project, PPOW Gallery, New York, 2010. Courtesy the artists. © Go! Push Pops</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1552064952697-LWCAYXUO3RHKC7QJAGKM/01_GPP1.jpg</image:loc>
      <image:title>hello - Repost | The Go! Push Pops on Future Feminisms</image:title>
      <image:caption>Go! Push Pops. The Clitney Perennial, a collective feminist performance protest at the Whitney Museum of American Art, New York, 2014. Courtesy Marie Tomanova.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/2/22/studio-visit-joseph-smolinski</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550864288310-URF4EGWA9NIF93J2MPPE/BeginningOfTheEnd.jpg</image:loc>
      <image:title>hello - Studio Visit | Joseph Smolinski</image:title>
      <image:caption>Joseph Smolinski, Beginning of the End, 2010. Ink, acrylic and graphite on paper, 26 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550864357030-VK7IBC3HHN60JUHXY9Y5/jsmo002.jpg</image:loc>
      <image:title>hello - Studio Visit | Joseph Smolinski</image:title>
      <image:caption>Joseph Smolinski, Lost Monuments, 2018. 3D scanned melted snow piles, 3D printed in plastic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550865158549-D4ZM5GQ0XEZ4RDUPOUW0/OpenWater16_Detail.jpg</image:loc>
      <image:title>hello - Studio Visit | Joseph Smolinski</image:title>
      <image:caption>Joseph Smolinski, Open Water 16, detail. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550864137758-5WG3N3PZO2AJW4G9YWVU/MG_6276-1.jpg</image:loc>
      <image:title>hello - Studio Visit | Joseph Smolinski</image:title>
      <image:caption>Joseph Smolinski, Hereafter studio Installation, works from 2010 - 2018. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1550864464710-1D3Z1GSWGV877Z6OMHZ6/jsmo003.jpg</image:loc>
      <image:title>hello - Studio Visit | Joseph Smolinski</image:title>
      <image:caption>Joseph Smolinski, Lost Monuments, 2018. 3D scanned melted snow piles cast in aluminum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/4/29/repost-gina-siepels-listening-tours</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1556560734603-ZUSH1BL5RQU14W3CZ95B/5_Siepel.jpeg</image:loc>
      <image:title>hello - Repost | Gina Siepel's Listening Tours</image:title>
      <image:caption>Gina Siepel. CACOPHONY, 2011. Great Egret on the Bronx River. Photo credit: Gina Siepel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1556560691502-W8TB0WE2MLQWYLQ1C565/4_Siepel.jpeg</image:loc>
      <image:title>hello - Repost | Gina Siepel's Listening Tours</image:title>
      <image:caption>Gina Siepel. CACOPHONY, 2011. Canoe at Soundview Park, Bronx River. Photo credit: Anna Reynolds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1556560381178-S6SM5QB42U8V1BKOLBOC/1_Siepel.jpeg</image:loc>
      <image:title>hello - Repost | Gina Siepel's Listening Tours</image:title>
      <image:caption>Gina Siepel. CACOPHONY, 2011. Printed ticket given to participants. © Gina Siepel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1556560450892-BVA13S5YVZUGG3PNR0FE/3_Siepel.jpeg</image:loc>
      <image:title>hello - Repost | Gina Siepel's Listening Tours</image:title>
      <image:caption>Gina Siepel. CACOPHONY, 2011. Scrap metal processing, Bronx River. Photo credit: Anna Reynolds.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/5/28/summer-reading-list-jeff-ostergren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559141724129-G5EX25T4J3ZKV8B8QWJX/JeffOstergren2.JPG</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Poppy Fields (Afghanistan, Allergies, Argenteuil), (2019). Oxycontin, Viagra, Claritin, Luvox, Strattera, Jolessa, Zoloft, Sudafed, Roundup Weed Killer, and Acrylic on Kevlar Ballistic Fabric, 60" x 96"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559141269579-CIHKV90XNEBCL7228ILI/the-flamethrowers-9781439142011_hr.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559141489389-OUWSZ02GDAJGC4VW0BVT/MyYear.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559141811804-N9SGHR7X7738FN5GIU5K/JeffOstergren3.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Reproduction (2019). Oxycontin, Viagra, Claritin, Luvox, Jolessa, and Acrylic on Kevlar Ballistic Fabric, 51" x 90.5"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559141512866-2VJNSMU45A8HBI6P9145/testo-junkie.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559141652993-RIUAOWW0CFI02EOV673X/JeffOstergren1.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Color is fundamentally involved in the making of culture from the human body (2018/2019). Metal cabinets from Bayer Corporation, polyurethane foam, pigment, oil paint, book pages, pharmaceuticals, found office supplies, magnets, flatscreen monitor, speakers, digital video TRT 12:41. (Installation View of “Perverse Furniture” at Artspace, New Haven, CT (2019). Photo Credit: Jessica Smolinski.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/5/28/summer-reading-list-nate-lerner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559204024144-9XDLVKMQ46LB1LPYBOK2/9780520287983.jpg</image:loc>
      <image:title>hello - Summer Reading List | Nate Lerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559204993965-YGU9RJJYZRSN1RG5O76J/24b7bea848367834be8539b967faf787.jpg</image:loc>
      <image:title>hello - Summer Reading List | Nate Lerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559057159792-Q5490TGBSACAWMJL9AZC/image-asset.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Nate Lerner</image:title>
      <image:caption>Nate Lerner, East Rock Park, Hamden (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559205212736-Y6FJJWLBR6ARSHVU7ICW/lerner_untitled_newhaven.jpg</image:loc>
      <image:title>hello - Summer Reading List | Nate Lerner</image:title>
      <image:caption>Nate Lerner, 45 Church St, New Haven (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559205133179-Y3JL3P1LH5ZBSE9MZTIF/9780525522119.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Nate Lerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559205485995-IDU90A8GR6VM157N0K83/lerner_untitled_lagos.jpg</image:loc>
      <image:title>hello - Summer Reading List | Nate Lerner</image:title>
      <image:caption>Nate Lerner, Lagos, Portugal (2017)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/4/19/review-becca-lowry-and-jane-miller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1555685921491-B33FKPI9KIGPXSKW1UY6/IMG_5146.jpg</image:loc>
      <image:title>hello - Review | Becca Lowry and Jane Miller</image:title>
      <image:caption>Installation view. Becca Lowry &amp; Jane Miller at Fred Giampietro Gallery, April 2019. Image: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1555686041172-24TN8PEFO1ZXRW5VD2DE/image-asset.jpeg</image:loc>
      <image:title>hello - Review | Becca Lowry and Jane Miller</image:title>
      <image:caption>Becca Lowry, winter crop (2019). Mixed media on carved wood. 44” h by 38-1/2” w by 10-1/2” d. Image: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1555686516422-SUTYE5IIBS269NRORCWG/IMG_5135.jpg</image:loc>
      <image:title>hello - Review | Becca Lowry and Jane Miller</image:title>
      <image:caption>Becca Lowry, the Santa Anas (2019). Mixed media wood carving; 44” h x 68-1/2” w x 8” d. Image: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/5/10/alyse-rosner-regeneration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1557490327595-5EPFVSKJAPB9EWC5SZFI/webzigzagtwilight2018_77x98.jpg</image:loc>
      <image:title>hello - Alyse Rosner: Regeneration</image:title>
      <image:caption>Alyse Rosner, Zig zag (twilight), 2018. Graphite and fluid acrylic on raw canvas 77×98 inches. Photo courtesy of Rick Wester Fine Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1557490502762-IGJEGNWA5AZH3O2RUVTC/11_M72_Untitled_phthalo_2018_35x48_Graphite-fluid-acrylic-canvas.jpg</image:loc>
      <image:title>hello - Alyse Rosner: Regeneration</image:title>
      <image:caption>Alyse Rosner, Untitled (Phthalo), 2018. 35 x 48 inches graphite and fluid acrylic on raw canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1557490366267-R75DUTZUK1FUIS1OSA62/03_M72_Lilt-orange-63x47-graphite-fluid-acrylic-canvas.jpg</image:loc>
      <image:title>hello - Alyse Rosner: Regeneration</image:title>
      <image:caption>Alyse Rosner, Lilt (orange), 2019. 63 x 47 inches graphite and fluid acrylic on raw canvas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/5/20/repost-meriem-bennanis-holiday-headscarf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1558366406602-2MUOKBHIKP310FSIYTOA/MeriemBennani_YOUR_YEAR_FardaousFunjab_Still-1.jpg</image:loc>
      <image:title>hello - Repost | Meriem Bennani’s Holiday Headscarf</image:title>
      <image:caption>Meriem Bennani, Promotional Materials for Your Year, 2017. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1558366440034-2N4P0XXGTHRH53HT2AJ7/Meriem-Bennani-683x1024.jpg</image:loc>
      <image:title>hello - Repost | Meriem Bennani’s Holiday Headscarf</image:title>
      <image:caption>Meriem Bennani, detail of MISSION TEENS: French school in Morocco (2019) at the 2019 Whitney Biennial. Courtesy of Ben Davis. [source]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/6/3/summer-reading-list-monique-atherton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559571715757-KBSNYXEYU8IIJ78FF94A/_MG_2304.jpg</image:loc>
      <image:title>hello - Summer Reading List | Monique Atherton</image:title>
      <image:caption>Monique Atherton, Bad Faith (Untitled), 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559572275382-MB0BIWE0FOVPL1KLQF75/_DSC7334.jpg</image:loc>
      <image:title>hello - Summer Reading List | Monique Atherton</image:title>
      <image:caption>Monique Atherton, Bad Faith (Untitled), 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559571860944-L728W3S9JSC2S0C20LF4/9780525540281.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Monique Atherton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559571948573-1ALAKO9GUX4UTU1F0Z2C/9780812980097.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Monique Atherton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559572233184-LG90T12EM7ZOVBKKLS13/_DSC7335.jpg</image:loc>
      <image:title>hello - Summer Reading List | Monique Atherton</image:title>
      <image:caption>Monique Atherton, Bad Faith (Untitled), 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559572036799-ECUIM9GW1EPPOTW2A2NC/9781101905067.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Monique Atherton</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/7/10/summer-reading-list-lisa-kereszi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1562800723874-4CJAZFUKN0R3FFQPUTHX/Ferris+Wheel+Mural+Broadway+Arcade+Times+Square%2C+2004.jpg</image:loc>
      <image:title>hello - Summer Reading List | Lisa Kereszi</image:title>
      <image:caption>Lisa Kereszi, Ferris Wheel mural, Broadway Arcade, Times Square (2004). Image courtesy of the artist and Yancey Richardson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1562800624909-61SNEIPF6J1X52RR6JDD/Blood+Guts+Gore%2C+Haunted+House%2C+New+Jersey%2C+2005.jpg</image:loc>
      <image:title>hello - Summer Reading List | Lisa Kereszi</image:title>
      <image:caption>Lisa Kereszi, Blood Guts Gore, Kearny, NJ (2005). Image courtesy of the artist and Yancey Richardson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1562800567748-LXS5IBAU5KF3JUC2P7LU/Ball+Toss%2C+Coney+Island%2C+2001.jpg</image:loc>
      <image:title>hello - Summer Reading List | Lisa Kereszi</image:title>
      <image:caption>Lisa Kereszi, Ball Toss, Coney Island, NY (2001). Image courtesy of the artist and Yancey Richardson Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1562800249324-Q76OCEIAV7YOIA0QX3FM/97803164510791.jpg</image:loc>
      <image:title>hello - Summer Reading List | Lisa Kereszi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1562800266474-DBYMUCO66ZG431YAKX5M/01macgillis2-jumbo.jpg</image:loc>
      <image:title>hello - Summer Reading List | Lisa Kereszi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1562800496441-LQVRV3H4TKTGZ8G644XJ/51dc0YgbKVL._SX374_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>hello - Summer Reading List | Lisa Kereszi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/6/4/summer-reading-list-jacquelyn-gleisner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559685509027-OBW5QWI11VTA4N88JC1S/9781568585987.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jacquelyn Gleisner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559685807113-WTSLK4OVBE8GQIHFPDMO/download.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Jacquelyn Gleisner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559686010866-9ZSLM3Q1BTVFQ5A0SJWR/gleisner_interaction%2Bof%2Bcolor.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jacquelyn Gleisner</image:title>
      <image:caption>Jacquelyn Gleisner, Paper Over II, 2017. Paint on paper, stapled to the wall, approximately 11 feet across and 6 feet tall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559685348416-397IN4C38SES4AQTIWF3/sing-unburied-sing-9781501126079_lg.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jacquelyn Gleisner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559686184603-PUWVBD3VHLFAY8WK8A5P/Scroll%2BIV.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jacquelyn Gleisner</image:title>
      <image:caption>Jacquelyn Gleisner, Scroll IV, 2015. Ink, gouache, acrylic paint on paper, 3.5 by 30 feet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1559685247626-YRYYOS6IFNOFVI04S0IE/scrolls.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jacquelyn Gleisner</image:title>
      <image:caption>Jacquelyn Gleisner, Scrolls I, II, III, IV, and V, 2014-15. Ink, gouache on paper, 3.5 by 30 feet.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/6/13/summer-reading-list-rysz-rysz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560446840726-H0ER403DIO7DIWCTZ2XA/ag-doc-202-0005-pub.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
      <image:caption>Bistro tables at the Yale University Art Gallery, photo by Jessica Smolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560446693223-V8ULKHIU2R71BZ4SMPMO/Laingsmall.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560411594904-ZDE6N16BWA6AWSMC5BNW/St+Clair.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560447843836-S1R4N1LR0J8YH03NU63M/Florence+Griswold.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
      <image:caption>Riverbank garden of the Florence Griswold Museum, photo by Sean Flynn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560446726677-X5UHMECADH6METLQKUKW/Hayessmall.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560411515225-HVWNFQ10VX174R4WDTAN/New+Britain+Museum.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
      <image:caption>Patio of the New Britain Museum of American Art, courtesy of the museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1560446749695-64ULPP3N9VLEXF2TWTB4/R%2BRsmall.jpg</image:loc>
      <image:title>hello - Summer Reading List | Rysz + Rysz</image:title>
      <image:caption>Tori and Ronnie Rysz, photo by Monique Atherton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/7/30/summer-reading-list-caroline-byrne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564537312563-RE3YDHHVL9GO74MI5802/9780226358161.jpg</image:loc>
      <image:title>hello - Summer Reading List | Caroline Byrne</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564537114238-8L7BKOL2KNKBT2A5IW1K/forests.jpg</image:loc>
      <image:title>hello - Summer Reading List | Caroline Byrne</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564537468541-BWPL2DSAIQHVZB7P6XOV/cycle.jpg</image:loc>
      <image:title>hello - Summer Reading List | Caroline Byrne</image:title>
      <image:caption>Caroline Byrne, Cycle (2019). Images from 2016-2019, tampon applicators found near waterways/sewage treatment overflow in Coney Island, NY, West Newbury, MA, and Ithaca, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564536905341-QZ9KK7T4CT0EUFVWH6ZS/511q8erv%2B3L._SX335_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>hello - Summer Reading List | Caroline Byrne</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564537607263-QOTWYSFEQQ5BS3LM34YY/Behind-TOPS.jpg</image:loc>
      <image:title>hello - Summer Reading List | Caroline Byrne</image:title>
      <image:caption>Caroline Byrne, Behind TOPS Grocery and At Stewart Park (2019). Images 2016-2019, Ithaca, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564537858581-ST7OQHG4SHV0S63EB1RD/pieces-of-trash-all-web.jpg</image:loc>
      <image:title>hello - Summer Reading List | Caroline Byrne</image:title>
      <image:caption>Caroline Byrne, pieces-of-trash card matching game (2019). Limited edition of 200. Produced by Game Crafter in Madison, WI $34 for sale at ICA Museum Gift Shop, Boston, NY Buffalo Street Books, Ithaca, NY or through me (images taken 2014-2018, West Newbury, MA, Ithaca, NY).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/7/24/summer-reading-list-fiona-sze-lorrain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1563991873317-9H3SHOIDHA0X7E043Y2U/artwork1.jpg</image:loc>
      <image:title>hello - Summer Reading List | Fiona Sze-Lorrain</image:title>
      <image:caption>Chiaroscuro, 2 a.m. (2019). Ink and washi, Fiona Sze-Lorrain and Fritz Horstman. (photo© Sze-Lorrain)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1563991690912-WLYAX65EQ7IJ9LE0ZSY1/9781905422692.jpg</image:loc>
      <image:title>hello - Summer Reading List | Fiona Sze-Lorrain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564011583023-XFK6REQJBMJQS8J4V05P/9780679752790.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Fiona Sze-Lorrain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1563991594227-GXLSFSJQBU3AKTMHNUVY/9780312426903.jpg</image:loc>
      <image:title>hello - Summer Reading List | Fiona Sze-Lorrain</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1563992011930-NTJ61Z5MHTEQC4B8YBHJ/IMG_0011_2.jpg</image:loc>
      <image:title>hello - Summer Reading List | Fiona Sze-Lorrain</image:title>
      <image:caption>The Scope of Darkness (2019). Ink and washi, Fiona Sze-Lorrain and Fritz Horstman. (photo © Sze-Lorrain)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1563991792077-XBS6RHNND9EFDE58BKAK/abd+4.jpg</image:loc>
      <image:title>hello - Summer Reading List | Fiona Sze-Lorrain</image:title>
      <image:caption>Installation photo from A Blue Dark at the Institute Library, New Haven, 2019 (photo © Fritz Horstman)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/8/4/studio-visit-june-ahrens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564928129198-3YEISECD1OWGD3L9F2M6/image-asset.jpeg</image:loc>
      <image:title>hello - Studio Visit | June Ahrens</image:title>
      <image:caption>June Ahrens’ studio in Stamford, CT, July 2019. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564927986024-TPBW86ITDZR013TF5GV4/HealingHearts5.jpg</image:loc>
      <image:title>hello - Studio Visit | June Ahrens</image:title>
      <image:caption>June Ahrens, The Healing Hearts Project. Battery Park City, New York, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/7/25/studio-visit-jeff-ostergren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564092849749-5ZQKPNU3HBZDR7FFQ4MY/IMG_8351.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren’s New Haven studio, July 24, 2019. Photo: J. Gleisner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564092534565-AO86IQKRTIRLB7R6MUB7/Bayer_038.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Installation View, Science For A Better Life, October 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564093390508-Z6Y0AP12W2Y573JD7I5D/IMG_4513.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Poppy Fields (Afghanistan, Allergies, Argenteuil) (2019). Claritin, OxyContin, Sudafed, Viagra, Strattera, Rozerem, Round Up, Oil and Acrylic on Paper, 23 by 35 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1564093043915-4VTX05C0K76HFNRWBRWQ/JO01.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Picnic on the Grass (Latuda Family), (2019). Jolessa birth control, Rozerem, Oxycontin, Sudafed, Roundup Weed Killer, Acrylic and Oil on Paper, 23 by 35 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/8/9/review-the-smooth-and-the-striated-otto-berchem-amp-rachel-hellerich</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1565356094149-KFW22MQ905KA0Z0W0CDO/ceremonial+light.jpg</image:loc>
      <image:title>hello - Review | The Smooth and the Striated: Otto Berchem &amp;amp; Rachel Hellerich</image:title>
      <image:caption>Rachel Hellerich, Ceremonial Light (2019). Acrylic and flashe on panel, 12 by 16 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1565392158939-EXRA0Y11TUEI5ROPCRKN/IMG_0092.jpg</image:loc>
      <image:title>hello - Review | The Smooth and the Striated: Otto Berchem &amp;amp; Rachel Hellerich</image:title>
      <image:caption>Melanie Carr Gallery, Essex, CT. July 2019. Photo Courtesy of Rachel Hellerich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1565392331000-OH26DB9GI3SR3NLJXG2D/IMG_0083.jpg</image:loc>
      <image:title>hello - Review | The Smooth and the Striated: Otto Berchem &amp;amp; Rachel Hellerich</image:title>
      <image:caption>Installation view of The Smooth &amp; the Striated. Photo: R. Hellerich.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1565392379678-8PLFR598W64QF2TIBLWO/IMG_0303.jpg</image:loc>
      <image:title>hello - Review | The Smooth and the Striated: Otto Berchem &amp;amp; Rachel Hellerich</image:title>
      <image:caption>Installation view of The Smooth &amp; the Striated. Photo: R. Hellerich.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/1/the-million-petaled-flower-of-being-here-ann-p-lehman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569975906668-MLER4EDORM86MJU8GQL5/Intersection.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ann P. Lehman</image:title>
      <image:caption>Ann P. Lehman, Intersection (1980). New Haven, CT. Image: S. Nimrod.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569938635550-I30Z7AQF70Q9P944OUZ9/image-asset.jpeg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ann P. Lehman</image:title>
      <image:caption>Ann Lehman inside her studio. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569938583463-OLGOV6CS10DYC1F643S7/Lehman%252C%2BAnn_002.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ann P. Lehman</image:title>
      <image:caption>Ann Lehman’s outdoor metal studio. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/7/the-million-petaled-flower-of-being-here-kiara-matos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571714762397-UZ59VEAVVVKK3XF9QVSD/Matos%2C+Kiara_001.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kiara Matos</image:title>
      <image:caption>Kiara Matos in her New Haven studio. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571714881062-P3JWV5TR6IISFA8Z6CRR/26851DE1-AD4A-4AB9-87BE-0D13B85E13A8.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kiara Matos</image:title>
      <image:caption>Kiara Matos. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571714853054-A6PRHGZ8H0G54D7QZAU0/IMG_3064.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kiara Matos</image:title>
      <image:caption>Kiara Matos. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571714816496-Y8VQ1CC8UOXHJLNLOCLT/IMG_7433.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kiara Matos</image:title>
      <image:caption>Kiara Matos. Custom wall installation at clients home. New Rochelle, NY. 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/11/1/the-million-petaled-flower-of-being-here-ruby-gonzalez-hernandez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572633891374-DHVPDZ3XDG6YO1F5LFOO/Gonzalez%2BHernandez%2C%2BRuby.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ruby Gonzalez Hernandez</image:title>
      <image:caption>Ruby Gonzalez Hernandez at Make Haven, New Haven. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572633921647-PZ708XOHQ9RQCR09AMLO/Light_RGH.jpeg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ruby Gonzalez Hernandez</image:title>
      <image:caption>Ruby Gonzalez Hernandez, from the series Light. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572633937945-8QJZ7UBYT3HZD2QC2MCS/image-asset.jpeg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ruby Gonzalez Hernandez</image:title>
      <image:caption>Ruby Gonzalez Hernandez, Justice Has No Mercy (2019). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572633906600-OZULFIR0Y6OQRPXRAPXG/restless_forWEB.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Ruby Gonzalez Hernandez</image:title>
      <image:caption>Ruby Gonzalez Hernandez, Restless (2019), From the series amor eterno. Silkscreen on paper, 11 by 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/3/the-million-petaled-flower-of-being-here-jennifer-davies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570544576167-9X06IAREUHZEHSRERAP5/KEEPING+TRACK%2C+63+in.h+x+82+in.w%2C+printing+ink+on+handmade+paper..jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Jennifer Davies</image:title>
      <image:caption>Jennifer Davies, Keeping Track, 63 in. (h) x 82 in. (w). Printing ink on handmade paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570544756192-Q9KBND1PZWXLU88XDU8B/Davies%2C+Jennifer+001.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Jennifer Davies</image:title>
      <image:caption>Jennifer Davies in her Erector Square studio. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570544515206-1KR1ZB14MPSNXPH1T2B4/leafpoemWEB.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Jennifer Davies</image:title>
      <image:caption>Jennifer Davies, Leaf Poem 1, 50 in. (h) x 28 in. (w); monotype and handmade paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570544669314-AKHPX9POZD0L3HO3PHXR/Dubai+comm.%285%29%2C+36in.+diameter%2C+string%2C+paper+pulp%2C+and+pigment..jpeg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Jennifer Davies</image:title>
      <image:caption>Jennifer Davies, Dubai Commission (5), 36 in. (diameter). String, paper pulp, and pigment. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570544684772-L21I6G9QUUGY25GE02FF/DANCERS%2C+11inh+x+14in.w.%2C+charcoal+on+dendril..jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Jennifer Davies</image:title>
      <image:caption>Jennifer Davies, Dancers, 11 in. (h) x 14 in. (w). Charcoal on dendril. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/3/the-million-petaled-flower-of-being-here-oi-fortin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571149416599-WQ2IWY4JES8AQR459JMS/image-asset.jpeg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Oi Fortin</image:title>
      <image:caption>Oi Fortin, Rhythm (2019). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571149604525-ETSO2K0Y5TRS30T8IH4V/Fortin%2C+Oi_001.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Oi Fortin</image:title>
      <image:caption>Oi Fortin in her Erector Square studio. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571149471181-QJKJIIPQRS8RX6EPVNQH/Mosada.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Oi Fortin</image:title>
      <image:caption>Oi Fortin, Mosada (2019). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571149517331-QJQH013ZE3F2YQ7RJJVM/Satory+%281%29.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Oi Fortin</image:title>
      <image:caption>Oi Fortin, Satory (2019). Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/7/the-million-petaled-flower-of-being-here-howard-el-yasin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570804460352-JXBEF3MLZ4LXTJA82I0R/Howard%2Bel-Yasin%2C%2BMound%2B%28commercial%2Bdryer%2Blint%2Bcollection%29%2C%2B2018+WEB.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Howard el-Yasin</image:title>
      <image:caption>Howard el-Yasin, Mound (2018). Commercial dryer lint; dimensions variable. Installed at the Washington Art Association. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570804396544-TDIMJAZC0NYFTNGFSQGW/el-Yasin%2C+Howard_001WEB.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Howard el-Yasin</image:title>
      <image:caption>Howard el-Yasin inside his Westville, New Haven studio. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570804532238-WUQ07AJZ2DXR8PAURTV9/el-Yasin%2C+Howard_002.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Howard el-Yasin</image:title>
      <image:caption>Howard el-Yasin. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/7/the-million-petaled-flower-of-being-here-edgar-serrano</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572363623330-XIU2JVCTN60YTLTT3GCH/escapando_el_ruido_de_la_eternidad.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Edgar Serrano</image:title>
      <image:caption>Edgar Serrano, Escapando el Ruido de la Eternidad (2019). 46 x 60 inches; Oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572363676246-MALY26MXAY4DEOFKHLWZ/the_stoic.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Edgar Serrano</image:title>
      <image:caption>Edgar Serrano, The Stoic (2019). 60 x 80 inches; Oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572363568907-XJV1WXD5LR9DIT3E3JK8/the_hermit_and_the_raven.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Edgar Serrano</image:title>
      <image:caption>Edgar Serrano, The Hermit and the Raven (2018). 44 x 60 inches; Oil on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572363550672-ZTTFN4KRGNJUHEIHAC3T/Serrano%2C%2BEdgar001.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Edgar Serrano</image:title>
      <image:caption>Edgar Serrano in his Erector Square Studio. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/7/the-million-petaled-flower-of-being-here-rashmi-talpade</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570477404249-EDU5UYW6KC26Y6DDXNFR/scaleimage+%281%29.jpeg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Rashmi Talpade</image:title>
      <image:caption>Rashmi Talpade, Textures of Bombay (2004). Photo-collage, 20 by 24 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570477517857-06HFK508JBC9U0CP0CIW/Terracotta_Talpade_2017-e1533850393678.png</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Rashmi Talpade</image:title>
      <image:caption>Rashmi Talpade, Terracotta (2017). Photo-collage; 20 by 16 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1571429558973-GHSIDKOUMFJH1165XYN1/Rashmi_ModernArch_Paint.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Rashmi Talpade</image:title>
      <image:caption>Rashmi Talpade, from her Modern Archaeology series. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1570476215119-9AFR0TBH8ZKR4WWSIAU7/Talpade%2C+Rashmi001.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Rashmi Talpade</image:title>
      <image:caption>Rashmi Talpade in her Wallingford studio. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/9/22/summer-reading-list-aude-jomini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569177828632-TDE2UHPVYUW0PTOFORTX/9780735220171.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Aude Jomini</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569178008601-14HCO8YMC7JK7PUNNJT4/AUDEJOMINI_002.jpg</image:loc>
      <image:title>hello - Summer Reading List | Aude Jomini</image:title>
      <image:caption>Aude Jomini, Dover Truck-Stop City, a heraldic proposal for the border port of Dover UK (elevation excerpt).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569176285468-GQ3LJDCC5T1R68JULMYF/flights.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Aude Jomini</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569177958510-FKMKR61TD77QHDR432IY/AUDEJOMINI_006.jpg</image:loc>
      <image:title>hello - Summer Reading List | Aude Jomini</image:title>
      <image:caption>Aude Jomini, Ornament study with hybrid Penrose grid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569176845162-MLEIX2FEUNP1QCJUREQ1/2208.jpg</image:loc>
      <image:title>hello - Summer Reading List | Aude Jomini</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569177890478-N9RLYRT8EO5JTJ0N5BH5/AUDEJOMINI_003.jpg</image:loc>
      <image:title>hello - Summer Reading List | Aude Jomini</image:title>
      <image:caption>Aude Jomini, Dover Truck-Stop City, a heraldic proposal for the border port of Dover UK (elevation excerpt).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/1/the-million-petaled-flower-of-being-here-joseph-saccio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569975200497-QLS8Q55GYOUTJHHOV16E/saccio%2C+joeWEB.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Joseph Saccio</image:title>
      <image:caption>Joseph Saccio in his Erector Square Studio, August 2019. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569975361438-EWNSM9BU0EDGSYHOG2W2/Saccio%2C+Joe_Memory+TrapWEB.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Joseph Saccio</image:title>
      <image:caption>Joseph Saccio, Memory Trap. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1569975032187-EEQK1WDZ5ET5JLUMCNZT/DSC_7787.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Joseph Saccio</image:title>
      <image:caption>Joseph Saccio. Henge Installation of the three versions of Memory and Metamorphosis floor view 1. Loomis Chaffee School, Windsor, CT. (2013). Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/10/26/the-million-petaled-flower-of-being-here-kwadwo-adae</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572094125383-PNSZOVKL6DVB1YB0YIXO/DpF7vJZW0AEkkeK.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kwadwo Adae</image:title>
      <image:caption>Adae in front of his Women’s Empowerment Mural. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572094282347-IB41JRBL4Z697SN3RGRR/417440-WHXSKTRC-7.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kwadwo Adae</image:title>
      <image:caption>Kwadwo Adae, Number XXIX (2008). Painting on canvas, 36 by 36 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1572093816245-AOXW68M25IWNT1G4G06B/Adae%2C+Kwadwo_web.jpg</image:loc>
      <image:title>hello - The Million-Petaled Flower of Being Here | Kwadwo Adae</image:title>
      <image:caption>Kwadwo Adae at the Adae Fine Art Academy. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/12/18/review-do-plankton-have-feelingsnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1576707026309-N5G5WMEKYF3SUX35VSFH/CBR_001.jpg</image:loc>
      <image:title>hello - Review | Do Plankton Have Feelings?&amp;nbsp;</image:title>
      <image:caption>Installation view of Do Plankton Have Feelings? at Artspace New Haven, CT. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1576707095771-RH2R0TJ2M6XJOVT085TL/CBR_002.jpg</image:loc>
      <image:title>hello - Review | Do Plankton Have Feelings?&amp;nbsp;</image:title>
      <image:caption>Installation view of Do Plankton Have Feelings? at Artspace New Haven, CT. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2019/12/9/review-somewhere-in-the-sequence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1575935719348-OVHXTWVNRP6ITNBSN6K3/SITS_brown2.jpg</image:loc>
      <image:title>hello - Review | Somewhere in the Sequence</image:title>
      <image:caption>Installation view, Somewhere in the Sequence. Curated by David Borawski. Photo by Peter Brown, 2019. Courtesy Real Art Ways.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1575935533627-R6XEK2NME3YK9VIIBBI9/image-asset.jpeg</image:loc>
      <image:title>hello - Review | Somewhere in the Sequence</image:title>
      <image:caption>Installation view, Somewhere in the Sequence. Curated by David Borawski. Photo by Peter Brown, 2019. Courtesy Real Art Ways.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1575935208679-BQKBL6MHASVWS2QPX9X1/Screen%2BShot%2B2017-06-21%2Bat%2B7.05.01%2BPM%2Bcopy.png</image:loc>
      <image:title>hello - Review | Somewhere in the Sequence</image:title>
      <image:caption>Alyssa Freitas, Info Bubble. Image courtesy of the artist’s website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1575935649440-MHA8QXAWOQB078XUBLSX/SITS_leone1_small.jpg</image:loc>
      <image:title>hello - Review | Somewhere in the Sequence</image:title>
      <image:caption>Installation view, Katie Bullock: Meanwhile, My Life Was Under a Cloud, installation view, 2019. Curated by David Borawski. Photo by Aly Leone, 2019. Courtesy Real Art Ways.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/1/20/repost-robots-race-and-algorithms-stephanie-dinkins-at-recess-assembly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1579548525102-UFHP715PTY6GEHF7KPJD/image-asset.png</image:loc>
      <image:title>hello - Repost | Robots, Race, and Algorithms: Stephanie Dinkins at Recess Assembly</image:title>
      <image:caption>Stephanie Dinkins. Twins (or at some point, I decided to mimic the robot), 2017. Courtesy of the artist © Stephanie Dinkins.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/2/16/review-designerbookbindings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582121970851-H95OXYMXKEM7CA36TUG7/Kirkpatrick-Tempest.jpg</image:loc>
      <image:title>hello - Review | Designer Bookbindings</image:title>
      <image:caption>George Kirkpatrick, designer and binder of The Tempest, by William Shakespeare (Canton, NY: Caliban Press, 2001), bound in 2013, leather binding, with leather onlays, and silver and stainless-steel wire, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Tom Grill</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582122148328-6MHBGH5EIE0NEVGS5TM4/Kirkpatrick-GrolierCatalog.jpg</image:loc>
      <image:title>hello - Review | Designer Bookbindings</image:title>
      <image:caption>George Kirkpatrick, designer and binder of The Neale M. Albert Collection of Miniature Designer Bindings; A Catalog of an Exhibition Held at the Grolier Club, September 13–November 4, 2006,by Neale M. Albert (New York: Grolier Club, 2006), bound in 2008, leather binding with leather onlays and gold tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582124771041-ATAVL7ZIVXR6RFF0VEMQ/Hood-TwelfthNight.jpg</image:loc>
      <image:title>hello - Review | Designer Bookbindings</image:title>
      <image:caption>Derek Hood, designer and binder of Shakespeare’s Comedy of Twelfth Night, or, What You Will by William Shakespeare, with illustrations by W. Heath Robinson (London: Hodder and Stoughton, 1908), bound in 2015, goatskin binding, with leather onlays, tooling in palladium, gold, and white gold, © D. Hood, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582124540776-WK832YRA9VPHUQO51RPZ/Brown-Flowers.jpg</image:loc>
      <image:title>hello - Review | Designer Bookbindings</image:title>
      <image:caption>Hannah Brown, designer and binder of Flowers from Shakespeare’s Garden: A Posy from the Plays, illustrated by Walter Crane (London: Cassell and Co. Ltd, 1906), bound in 2016, goatskin binding, with leather onlays, embroidered with silk and metallic threads, gold-plated brass, and carbon and gold tooling, Collection of Margaret and Neale Albert, Yale JD 1961, photo by Richard Caspole</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/2/10/studio-visit-jeff-slomba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1581357722657-R1X85S6T6T7Q76GKT9YI/JeffSlomba_Arcadia.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Slomba</image:title>
      <image:caption>Jeff Slomba, Arcadia (2018). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1581356561672-Q2VLE2ZK4LXI3BEBIJOP/Jeff+scanning+St+Marks.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Slomba</image:title>
      <image:caption>Jeff Slomba scanning Portrait of the Four Tetrarchs in Saint Mark’s Square, Venice, Italy (2015). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1581357778671-NXIBI4TNZ2UEJ0AI9CXO/image-asset.jpeg</image:loc>
      <image:title>hello - Studio Visit | Jeff Slomba</image:title>
      <image:caption>Jeff Slomba, Works from the Tidal Capsule series (2016-19). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1581357742713-UP73EVKFZCL9LEH1HP0Y/Jeff_Slomba_FighttheDragon.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Slomba</image:title>
      <image:caption>Jeff Slomba, Fight the Dragon (2019). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1581357821012-E5AKIBPK7G88A6RU8QQC/Jeff_Slomba_Levitator+700px.jpg</image:loc>
      <image:title>hello - Studio Visit | Jeff Slomba</image:title>
      <image:caption>Jeff Slomba, Levitator (2019). Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/reviewjohnwilsonyuag</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582563961737-S2AWVCW81XGE5FNRY9LZ/yuag_wilson_the_incident_study_detail.jpg</image:loc>
      <image:title>hello - Review | John Wilson's “The Incident”: Studies for a Lynching Mural</image:title>
      <image:caption>John Wilson, Compositional study for The Incident (detail), 1952. Opaque and transparent watercolor, ink, and graphite, squared for transfer. Yale University Art Gallery, Janet and Simeon Braguin Fund. © Estate of John Wilson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582563993547-5BWVMKJWNSYGMDKURGS8/3_yuag_wilson-negro-woman.jpg</image:loc>
      <image:title>hello - Review | John Wilson's “The Incident”: Studies for a Lynching Mural</image:title>
      <image:caption>John Wilson, Negro Woman, study for The Incident, 1952. Oil on Masonite. Clark Atlanta University Art Collection, Atlanta Annuals. © Estate of John Wilson. Courtesy Clark Atlanta University Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582564022105-IC82XHPS5BVYXGDYKJTG/ag-obj-78701-001-pub-med.jpg</image:loc>
      <image:title>hello - Review | John Wilson's “The Incident”: Studies for a Lynching Mural</image:title>
      <image:caption>John Wilson, Compositional study for The Incident, 1952. Opaque and transparent watercolor, ink, and graphite, squared for transfer. Yale University Art Gallery, Janet and Simeon Braguin Fund. © Estate of John Wilson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/3/2/review-art-artifact-artifice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583181079357-NFHDRVWE0FRG7PW6ICL5/ag-obj-124398-001-pub-med.jpg</image:loc>
      <image:title>hello - Review | James Prosek: Art, Artifact, Artifice</image:title>
      <image:caption>Philip Guston, Untitled [Square Boot], from Suite of 21 Drawings (1970). Ink on paper; sheet: 35.4 × 43.1 cm (13 15/16 × 16 15/16 in.).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583181221811-V5XMKV6DTZWTHYS3RQDQ/image-asset.jpeg</image:loc>
      <image:title>hello - Review | James Prosek: Art, Artifact, Artifice</image:title>
      <image:caption>James Prosek, Study for Paradise Lost, Ponape (2019). Watercolor, gouache, colored pencil, and graphite on paper. Courtesy the artist and Waqas Wajahat, New York. © James Prosek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583181607395-3MEL6VNV1N9MMOIWH5CH/image-asset.jpeg</image:loc>
      <image:title>hello - Review | James Prosek: Art, Artifact, Artifice</image:title>
      <image:caption>James Prosek, Paradise Lost 1 (Burmese Python and Blue and Yellow Macaw, Everglades), (2019). Oil and acrylic on panel. Courtesy the artist and Waqas Wajahat, New York. © James Prosek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583180856243-IXB8GHPM2VDDVXKYIUNQ/ag-obj-52967-0007-pub-med.jpg</image:loc>
      <image:title>hello - Review | James Prosek: Art, Artifact, Artifice</image:title>
      <image:caption>Helen Frankenthaler, Low Tide (1963). Oil on canvas, 213.4 × 207.6 × 2.5 cm (84 × 81 3/4 × 1 in.) framed: 216.9 × 210.5 × 3.8 cm (85 3/8 × 82 7/8 × 1 1/2 in.).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583181557059-S1KZ6CA1VH03H8R2K74I/01_color_spectrum_ea201985_detail.jpg</image:loc>
      <image:title>hello - Review | James Prosek: Art, Artifact, Artifice</image:title>
      <image:caption>James Prosek, Bird Spectrum (detail), (2019). Bird specimens. Courtesy the artist; specimens provided by the Yale Peabody Museum of Natural History. © James Prosek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583180957093-Q044M99SXCJCFK6VYSP8/ag-obj-9448-001-pub-med.jpg</image:loc>
      <image:title>hello - Review | James Prosek: Art, Artifact, Artifice</image:title>
      <image:caption>Paul Gauguin, Paradise Lost , ca. 1890. Oil on canvas; 46 × 54.9 cm (18 1/8 × 21 5/8 in.).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/3/2/laring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583161982423-QABEQLYWK9S5ZBSFQNGS/800px-En_rugmark_ved_landsbyen_Ring.jpg</image:loc>
      <image:title>hello - Review | On the Edge of the World: Masterworks by Laurits Andersen Ring</image:title>
      <image:caption>L.A. Ring, Rye Field near Ring Village (1887).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583161118650-LGMB5APSDBUB9Z6PFOWT/the+artists+wife.jpg</image:loc>
      <image:title>hello - Review | On the Edge of the World: Masterworks by Laurits Andersen Ring</image:title>
      <image:caption>L.A. Ring, At the French Windows, The Artist’s Wife, (1897). Oil on canvas, 191 cm by 144 cm (75 in by 57 in). National Gallery of Denmark.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583161509272-M328T9W31TBIWQQU71QC/three+skulls.jpeg</image:loc>
      <image:title>hello - Review | On the Edge of the World: Masterworks by Laurits Andersen Ring</image:title>
      <image:caption>L.A. Ring, Three Skulls from Convento dei Cappucini at Paermo (1894).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/2/20/strangeloops</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582165800030-GCFEUNN1S3JYK5ER5SVE/Artspace-Strangeloops-009.jpg</image:loc>
      <image:title>hello - Review | Strange Loops</image:title>
      <image:caption>Installation view, Strange Loops. February 2020. Photo credit: Jessica Smolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582208000284-DEM06MMYAS1NL3HU39SZ/Artspace-Strangeloops-028.jpg</image:loc>
      <image:title>hello - Review | Strange Loops</image:title>
      <image:caption>Installation view, Strange Loops. February 2020. Photo credit: Jessica Smolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582207737737-WLURAPURDJUM08EQM406/image-asset.jpeg</image:loc>
      <image:title>hello - Review | Strange Loops</image:title>
      <image:caption>Installation view, Strange Loops. February 2020. Photo credit: Jessica Smolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582207299207-05VSFZJNZ0596Y85LCNB/Thin%2Brelm.jpg</image:loc>
      <image:title>hello - Review | Strange Loops</image:title>
      <image:caption>Sam Messer, Thin Realm (for Jake Berthot) (2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582165915560-SMAC2JL2QU7GKHHAO7WC/Artspace-Strangeloops-018-scaled.jpg</image:loc>
      <image:title>hello - Review | Strange Loops</image:title>
      <image:caption>Installation view, Strange Loops. February 2020. Photo credit: Jessica Smolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1582165950266-Z2AGDIDXMR3NW2B0FV6U/Artspace-Strangeloops-016.jpg</image:loc>
      <image:title>hello - Review | Strange Loops</image:title>
      <image:caption>Installation view, Strange Loops. February 2020. Photo credit: Jessica Smolinski.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/3/4/review-hong-kong-in-poor-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583334889481-WPAN4FRUV5Y599DW70HV/image-asset.jpeg</image:loc>
      <image:title>hello - Review | Hong Kong in Poor Images</image:title>
      <image:caption>Jamsen Sum-po Law, Walking the Walk (video still). Courtesy of the Ely Center of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1583335025986-PH3UV192E6FZSXJTCMZM/image-asset.jpeg</image:loc>
      <image:title>hello - Review | Hong Kong in Poor Images</image:title>
      <image:caption>Stella Ying-chi Tang, People in the Streets of Hong Kong (2012).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/3/26/studio-visit-monique-atherton</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585255128300-XCE1IVDL56Q3MWP1G5U1/3_-4.jpg</image:loc>
      <image:title>hello - Studio Visit | Monique Atherton</image:title>
      <image:caption>Monique Atherton, Untitled (Mask Chau), 2016. Photographic print, 10 by 8 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585255224811-FE1XI57TLJ5RNFWPOVC7/image-asset.jpeg</image:loc>
      <image:title>hello - Studio Visit | Monique Atherton</image:title>
      <image:caption>Monique Atherton, Untitled (Bob at Duncann), 2016. Photographic print, 10 by 8 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585255399221-81M1Y56IUWWQC5PJVVJ7/Monique%2BHouse.jpg</image:loc>
      <image:title>hello - Studio Visit | Monique Atherton</image:title>
      <image:caption>Monique Atherton, from the First Avenue series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585255507693-UC6QE8GTS4FMLS2Q2QX0/Monique+Atherton+Bad+Faith</image:loc>
      <image:title>hello - Studio Visit | Monique Atherton</image:title>
      <image:caption>Monique Atherton, from the Bad Faith series.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/3/31/studio-visit-kristie-kistner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585672390845-ZDH9SVOQVAEAJI5548DW/Picture1.png</image:loc>
      <image:title>hello - Studio Visit | Kristie Kistner</image:title>
      <image:caption>Kristie Kistner, Untitled (2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585672283397-OGDB0YKAEIFZA3OTFRGY/Picture2.png</image:loc>
      <image:title>hello - Studio Visit | Kristie Kistner</image:title>
      <image:caption>Kristie Kistner, Untitled (2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1585672208110-JXP5YVM4TPU73FTJ5WMV/TS+Picture1.png</image:loc>
      <image:title>hello - Studio Visit | Kristie Kistner</image:title>
      <image:caption>Kristie Kistner, TS Collage (2017).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/30/quarantinelistgleisner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1588177191368-PZ9E9VHKH8HGMJ0VR9BG/gleisner_2019_shrill_18+by+18+inches_web.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Jacquelyn Gleisner</image:title>
      <image:caption>Jacquelyn Gleisner, Shrill (2019). Laser cut paper and mat board, approximately 18 inches square.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1588177856778-A7U44H0KDYFZVMR128KU/scroll+xii_2019_002+web.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Jacquelyn Gleisner</image:title>
      <image:caption>Jacquelyn Gleisner, Scroll XII (2019). Acrylic paint on paper, approximately 42 by 198 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/17/quarantine-reading-list-nate-lerner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587144059786-M48XE45J9HA3XUOZPI6V/wtsmy-3.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Nate Lerner</image:title>
      <image:caption>Nate Lerner. From the series When the Spirit Moves You (2020). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587143965665-9Q3MMDJ246352DCS77PX/lerner_04.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Nate Lerner</image:title>
      <image:caption>Nate Lerner. Johnson, VT (2019). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587143993598-QN83I1TWV728EHCJHGTV/wstmy-1.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Nate Lerner</image:title>
      <image:caption>Nate Lerner. From the series When the Spirit Moves You (2020). Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/19/quarantine-reading-list-amira-brown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587316912493-2W8UQD1NRAE8COEJKDNE/IMG_20200417_143826.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Amira Brown</image:title>
      <image:caption>Amira Brown, Rose-Soul Cocktail (2020). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587316963019-OE98KMKPUH6YYHY1I300/IMG_20200417_143914.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Amira Brown</image:title>
      <image:caption>Amira Brown, detail of Rose-Soul Cocktail (2020). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587317007393-HLMI6061LYZ2LV3VR67M/IMG_20200417_143653.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Amira Brown</image:title>
      <image:caption>Amira Brown, detail of Rose-Soul Cocktail (2020). Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/24/ostergrenquarantinelist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587735993619-1PFEXUHQ0KE1E1O2BGIT/VaporizedYouth.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Vaporized (Landscape), 2019. Mint Juul e-liquid, Jolessa, Lunesta, Viagra, pigment, linseed oil, solvent on Kevlar ballistic fabric; 14” x 10”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587738861101-5NI0Q9MCUH2WA0G7LE49/VaporizedLandscape.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Vaporized (Landscape), 2019. Mint Juul e-liquid, Jolessa, Lunesta, Viagra, pigment, linseed oil, solvent on Kevlar ballistic fabric; 14” x 10”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587738930476-035TWF38R32Y1XM9MLBK/Death+Mask.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Jeff Ostergren</image:title>
      <image:caption>Jeff Ostergren, Death Mask, 2018. Strattera, Lunesta, Viagra, Loestrin, Albuterol inhaler, Luvox, Saphris, Hand Sanitizer, Green Superfood Powder, Mac ‘n’ Cheese powder, pigment, and cast plastic; 20.5” x 17” x .5”.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/20/quarantine-reading-list-danielle-schmitt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587398166841-F0F5VGNHKZKB1VFVXHI2/ruthbaderginsburg_orig.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Danielle Schmitt</image:title>
      <image:caption>Danielle Schmitt, Ruth Bader Ginsburg from the “Inspirational Women” series. Ink on paper. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587398247529-NCWNWT9ON0TDMKED0TSD/image-asset.jpeg</image:loc>
      <image:title>hello - Quarantine Reading List | Danielle Schmitt</image:title>
      <image:caption>Danielle Schmitt, Serena Williams from the “Inspirational Women” series. Ink on paper. Courtesy of the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587398095716-YKMXJ0U13DOAEE06Y2RA/yayoi_orig.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Danielle Schmitt</image:title>
      <image:caption>Danielle Schmitt, Yayoi Kusama from the “Inspirational Women” series. Ink on paper. Courtesy of the Artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/28/quarantine-reading-list-megan-craig</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1588122972305-X3GWBOH11MU4VPDLY4Y9/CWOS+West+Campus+HS-006.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Megan Craig</image:title>
      <image:caption>Megan Craig, Memory Edit (i will never forget), 2019, felt, satin, silk, thread.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1588122937368-7X9K1QDJJLZVEBM3MB5A/MeganCraig_MillStreet2020_web-13.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Megan Craig</image:title>
      <image:caption>Megan Craig, Ground, 2020, cornmeal, dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1588122833826-SYPPI2Y9JD5Y3RS2A3W4/10_TravelingInPlace_June2017-56.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Megan Craig</image:title>
      <image:caption>Megan Craig, Traveling in Place (with Rachel Bernsen), 2017, Yale Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1588122897490-XMKN83N61IYG9VN7LNUW/Mastheads_Full_Group2019.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | Megan Craig</image:title>
      <image:caption>Megan Craig, Mastheads, 2019, felt, satin, silk, thread.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/4/21/quarantine-reading-list-david-livingston</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587486908119-25COLN0KORZUXWWJTOLN/Livingston_003.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | David Livingston</image:title>
      <image:caption>David Livingston, Gouache on paper, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587486864071-CIYKZDVNKZ5JC86V3NOV/Livingston_002.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | David Livingston</image:title>
      <image:caption>David Livingston, Gouache on paper, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1587486561613-NEJ6HSSTF1V20UDIWI5A/Livingston_001.jpg</image:loc>
      <image:title>hello - Quarantine Reading List | David Livingston</image:title>
      <image:caption>David Livingston’s home studio in Milwaukee.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/6/5/review-roots-and-roads</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1591403511732-LLA3NP4CIB5IBBQOSX6N/Franklin_Street_Works_1520.jpg</image:loc>
      <image:title>hello - Review | Roots &amp;amp; Roads</image:title>
      <image:caption>Installation view of Roots &amp; Roads. Courtesy Franklin Street Works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1591403627263-8OFBVAZVCZC0JDPBB7FX/Franklin_Street_Works_1507+%281%29.jpg</image:loc>
      <image:title>hello - Review | Roots &amp;amp; Roads</image:title>
      <image:caption>Installation view of Roots &amp; Roads. Courtesy Franklin Street Works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1591403653647-8YEPWP7EP2H5WFY00ANH/Franklin_Street_Works_1505.jpg</image:loc>
      <image:title>hello - Review | Roots &amp;amp; Roads</image:title>
      <image:caption>Installation view of Roots &amp; Roads. Courtesy Franklin Street Works.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/dreadscott</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1601045810090-MISHVU0Y1A5BHCGJDWZ5/Dread-Scott-03.jpg</image:loc>
      <image:title>hello - Repost | The Demands of Dread Scott</image:title>
      <image:caption>Dread Scott. Sign of the Times, 2001. Screenprint; 39 x 39 inches. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1601045855474-2QWS6D1KOG7KXA19Q0WU/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | The Demands of Dread Scott</image:title>
      <image:caption>Dread Scott. What is the Proper Way to Display a U.S. Flag?, 1988. Installation for audience participation: Silver gelatin print, books, pens, shelf, active audience, US flag; 80 x 28 x 12 inches. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1601045908838-OP5Z5RSIP09I1WPN2R2W/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | The Demands of Dread Scott</image:title>
      <image:caption>Dread Scott in his apartment, New York, 2014. Photo: Jacquelyn Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1601045941927-STTI900WOLBEETLRQAKH/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | The Demands of Dread Scott</image:title>
      <image:caption>Dread Scott. …Or Does it Explode?, 2009. Duratrans prints, lightboxes, narrative audio; 28 feet 6 inches x 16 feet 4 inches x 1 foot. Courtesy the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/8/14/amira-brown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1597414796745-RZKSAIWDFGNCREFHTHHM/Brown+Selfie.jpg</image:loc>
      <image:title>hello - Q&amp;amp;A: Amira Brown</image:title>
      <image:caption>Amira Brown. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1597339557870-LEBIGKYTJGHT2WDOOS7R/final+three.png</image:loc>
      <image:title>hello - Q&amp;amp;A: Amira Brown</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1597339663517-FXMQQ56UI52QOX14JW2Z/Brown_Liberty.jpg</image:loc>
      <image:title>hello - Q&amp;amp;A: Amira Brown</image:title>
      <image:caption>Amira Brown, Sun Moon and Stars (Dime), 2020. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/8/23/rita-valley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598027248219-1JLCJVS0ZVEQ3X25QO0C/nofuture.jpg</image:loc>
      <image:title>hello - Q&amp;amp;A: Rita Valley</image:title>
      <image:caption>Rita Valley, No Future. All images courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598027322685-VX0D1WJJ4Z71IHBMRAIR/image-asset.jpeg</image:loc>
      <image:title>hello - Q&amp;amp;A: Rita Valley</image:title>
      <image:caption>Rita Valley, Money to Burn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598195391971-TJ3LGNV6JQNJJ36YETXE/photo+%281%29.jpg</image:loc>
      <image:title>hello - Q&amp;amp;A: Rita Valley</image:title>
      <image:caption>Rita Valley and Robin the Good. Photo Credit: Elanah Sherman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598194268995-JOU58Q9LC1V5O9NFJTUM/117819028_311558326759474_1307941497125964626_n.jpg</image:loc>
      <image:title>hello - Q&amp;amp;A: Rita Valley</image:title>
      <image:caption>Installation shot, August 2020, Melanie Carr Gallery. Credit: Melanie Carr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598193402029-Z9NZWH1CJCL48B38NGN4/117857489_625028381782610_5733965287995727309_n+%281%29.jpg</image:loc>
      <image:title>hello - Q&amp;amp;A: Rita Valley</image:title>
      <image:caption>Installation shot, August 2020, Melanie Carr Gallery. Credit: Melanie Carr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598027289421-0G4EHJ5LU1IRSSG73OXE/image-asset.jpeg</image:loc>
      <image:title>hello - Q&amp;amp;A: Rita Valley</image:title>
      <image:caption>Rita Valley, Vote.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/9/1/repost-joseph-saccio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598979718701-F16HRH3SVC4GCGSDQNFU/saccio%2C%2BjoeWEB.jpg</image:loc>
      <image:title>hello - Repost | Joseph Saccio</image:title>
      <image:caption>Joseph Saccio in his Erector Square Studio, August 2019. Photo: J. Gleisner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598979761639-GNN44M3491C97FBRYNVV/Saccio%2C%2BJoe_Memory%2BTrapWEB.jpg</image:loc>
      <image:title>hello - Repost | Joseph Saccio</image:title>
      <image:caption>Joseph Saccio, Memory Trap. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1598979800914-ZVIXHB3558321I555GBM/image-asset.jpeg</image:loc>
      <image:title>hello - Repost | Joseph Saccio</image:title>
      <image:caption>Joseph Saccio. Henge Installation of the three versions of Memory and Metamorphosis floor view 1. Loomis Chaffee School, Windsor, CT. (2013). Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/10/23/qa-joe-bun-keo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1603839977127-ALORR2NODGDLDCYFOZ2W/Hyphen+minus_+thedifference+between+Medicine+and+poison+is+the+dose.JPG</image:loc>
      <image:title>hello - Q&amp;amp;A: Joe Bun Keo</image:title>
      <image:caption>Installation view of Strange Names. Five Points Gallery, October 2020. Courtesy of Karl Goulet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1603842537781-1T99LYXBZHOVTW4893DC/I+was+born+here.JPG</image:loc>
      <image:title>hello - Q&amp;amp;A: Joe Bun Keo</image:title>
      <image:caption>Olu Oguibe, I Was Born Here, LED lights. Installation view of Strange Names. Five Points Gallery, October 2020. Courtesy of Karl Goulet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1603836447301-FPLORVNKMX7215FY2ZOE/tent%2C+Temple+Tomb.JPG</image:loc>
      <image:title>hello - Q&amp;amp;A: Joe Bun Keo</image:title>
      <image:caption>Installation view of Strange Names. Five Points Gallery, October 2020. Courtesy of Karl Goulet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1603840098895-Y4P19NICZYH4OU8VV27A/more+than+yellow.JPG</image:loc>
      <image:title>hello - Q&amp;amp;A: Joe Bun Keo</image:title>
      <image:caption>Installation view of Strange Names. Five Points Gallery, October 2020. Courtesy of Karl Goulet.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/11/19/repost-brain-work-with-pilvi-takala</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605800694146-ZX9IG2Q73IZI3GBHCENJ/3.jpg</image:loc>
      <image:title>hello - Repost | “Brain Work” with Pilvi Takala</image:title>
      <image:caption>Pilvi Takala. “Real Snow White,” 2009. Video, 9:15 min. Courtesy Galerie Diana Stigter, Amsterdam and Carlos/Ishikawa, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605800647737-SX5LX11NTX41QE605OQY/21.jpg</image:loc>
      <image:title>hello - Repost | “Brain Work” with Pilvi Takala</image:title>
      <image:caption>Pilvi Takala. “The Trainee,” 2008. Installation. Courtesy Galerie Diana Stigter, Amsterdam and Carlos/Ishikawa, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605800767830-98COXXBOP9F8XWSNRZHR/4.jpg</image:loc>
      <image:title>hello - Repost | “Brain Work” with Pilvi Takala</image:title>
      <image:caption>Pilvi Takala. “Real Snow White,” 2009. Video, 9:15 min. Courtesy Galerie Diana Stigter, Amsterdam and Carlos/Ishikawa, London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605800797225-6AAI19H1QSDK7W7ZKRWZ/1.jpg</image:loc>
      <image:title>hello - Repost | “Brain Work” with Pilvi Takala</image:title>
      <image:caption>Pilvi Takala. “The Trainee,” 2008. Installation. Courtesy Galerie Diana Stigter, Amsterdam and Carlos/Ishikawa, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/11/20/studio-visit-emily-larned</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605892925294-IQRUCH6XA0IYK8ZN2D2V/headroom.jpg</image:loc>
      <image:title>hello - Studio Visit | Emily Larned</image:title>
      <image:caption>Emily Larned, Headroom. Computer cross-stitch record cover for Kryssi Battalene, on Trouble in Mind Records.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605892778795-4YV6WN7MOEQ5CKDCT4ED/thumbnail_whogoverns.jpg</image:loc>
      <image:title>hello - Studio Visit | Emily Larned</image:title>
      <image:caption>Installation view of Who Governs? Artspace, New Haven, CT.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605893282777-M0MFQ4OR8W2I0F9UHNQC/WhoGoverns-053-scaled.jpg</image:loc>
      <image:title>hello - Studio Visit | Emily Larned</image:title>
      <image:caption>Installation view of Who Governs? Artspace, New Haven, CT. Credit: Jessica Smolinski.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605892664707-CYNSP91YM7JX3X8YYSNQ/s741672647603695090_p1_i1_w720.jpeg</image:loc>
      <image:title>hello - Studio Visit | Emily Larned</image:title>
      <image:caption>Emily Larned, Our daily lives have to be a satisfaction in themselves. Alder &amp; Frankia Bookshoppe.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605892977584-UZEI4IQJBM8GQWLT2VK0/labor_poster.jpg</image:loc>
      <image:title>hello - Studio Visit | Emily Larned</image:title>
      <image:caption>Emily Larned, Satisfied / Alienated Workers. Handset wood and metal types, printed letterpress, for Impractical Labor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/11/21/studio-visit-faustin-adeniran</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605996211736-V2DN6FQQB898KLW9RAHT/FAstudio1.jpg</image:loc>
      <image:title>hello - Studio Visit | Faustin Adeniran</image:title>
      <image:caption>Adeniran’s Studio at Erector Square. November 2020. Credit: N. Herrans.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605996838560-8SQJ52NWMIBVLCKDY8PL/image-asset.jpeg</image:loc>
      <image:title>hello - Studio Visit | Faustin Adeniran</image:title>
      <image:caption>Adeniran’s Studio at Erector Square. November 2020. Credit: N. Herrans.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1605996813299-KJN017AGZ8YAQJZOP9EA/image-asset.jpeg</image:loc>
      <image:title>hello - Studio Visit | Faustin Adeniran</image:title>
      <image:caption>Adeniran’s Studio at Erector Square. November 2020. Credit: N. Herrans.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/11/24/studio-visit-the-mad-lab</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1606242746835-4UKG9742CSTBI0A3C8RE/PHOTO-2020-09-30-13-20-18.jpg</image:loc>
      <image:title>hello - Studio Visit | The Mad Lab</image:title>
      <image:caption>Weverson Ponte, Founder of The Mad Lab.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1606242233432-TH4030SO227813C536A4/madlab001.jpg</image:loc>
      <image:title>hello - Studio Visit | The Mad Lab</image:title>
      <image:caption>Outside of The Mad Lab. Weverson Ponte (left) and Jessica Ortega (right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1606242417832-RN6GEGIKHDY7V2ED2ZZY/20200224_075146.jpg</image:loc>
      <image:title>hello - Studio Visit | The Mad Lab</image:title>
      <image:caption>The Mad Lab, Norwalk, Connecticut.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2020/11/24/studio-visit-lori-horowitz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1606262918076-WH1X9L8UOPH4W0GWK5S4/horowitz001.jpg</image:loc>
      <image:title>hello - Studio Visit | Lori Horowitz</image:title>
      <image:caption>Lori Horowitz, Shrouded (2020). Aluminum wire, spun copper, woven and sewn copper wire. 20 inches (h) by 20 inches (d) by 20 inches (w).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1606263109677-KD7DW1AEVWO0SVDD0GKA/c-users-lori-desktop-roots-and-finishe-exodus-exo.jpeg</image:loc>
      <image:title>hello - Studio Visit | Lori Horowitz</image:title>
      <image:caption>Lori Horowitz, Exodus (2020). Mixed-media: fabric, torched copper, aluminum and brass, fiber and photography. Michael David &amp; Co., Bushwick.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/2/16/arienwilkerson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1613492287856-PDGJ7K03SA0E4ZKY81ZL/wilkerson001.jpg</image:loc>
      <image:title>hello - Studio Visit | Arien Wilkerson</image:title>
      <image:caption>Arien Wilkerson. All images courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1613492622297-1WEUUYK8L68ZRW2KDTL5/Wilkerson004.jpg</image:loc>
      <image:title>hello - Studio Visit | Arien Wilkerson</image:title>
      <image:caption>Still from Black Boy Jungle, Town and Country Club, Hartford, CT. 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1613493326686-5ARGMB68HDR0F2GFVY8R/ffde8119-0389-4158-b0d6-d280ac7aea9a_rw_1920.jpg</image:loc>
      <image:title>hello - Studio Visit | Arien Wilkerson</image:title>
      <image:caption>The set for Lovepiece. Designed by Joe McCarthy and Arien Wilkerson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1613492434907-XBIWO3PGBPF834U5JZL0/Wilkerson003.jpg</image:loc>
      <image:title>hello - Studio Visit | Arien Wilkerson</image:title>
      <image:caption>Still from The Projector Series, Real Art Ways, Hartford, CT. 2016.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1613492340236-CESJGO495Q2J5UU6RP53/Wilkerson002.jpg</image:loc>
      <image:title>hello - Studio Visit | Arien Wilkerson</image:title>
      <image:caption>Still from Vault Mixtape. 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/3/23/studio-visit-felandus-thames</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1616547809992-L97CXWXE85777OVKU7WD/Felandus005.jpg</image:loc>
      <image:title>hello - Studio Visit | Felandus Thames</image:title>
      <image:caption>Installation view of The Things That Haunt Me Still. Real Art Ways, Feb. 13 - May 30, 2021. Photographer: Peter Brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1616547771563-62FP1PHXDVWBMJSFILSQ/Felandus004.jpg</image:loc>
      <image:title>hello - Studio Visit | Felandus Thames</image:title>
      <image:caption>Installation view of The Things That Haunt Me Still. Real Art Ways, Feb. 13 - May 30, 2021. Photographer: Peter Brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1616547623394-4DVUNT0IPEFSH9DZRHR1/Felandus002.jpg</image:loc>
      <image:title>hello - Studio Visit | Felandus Thames</image:title>
      <image:caption>Installation view of The Things That Haunt Me Still. Real Art Ways, Feb. 13 - May 30, 2021. Photographer: Peter Brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1616547740074-224LJQ34HSX0SLVHGLQ7/Felandus003.jpg</image:loc>
      <image:title>hello - Studio Visit | Felandus Thames</image:title>
      <image:caption>Installation view of The Things That Haunt Me Still. Real Art Ways, Feb. 13 - May 30, 2021. Photographer: Peter Brown.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/monthlyroundupjune2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1621605132806-HA1ZYSGRIUCIL94KT35D/KakaoTalk_20190912_134230936.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Kate Bae, "Possible, Between and Together", 2019. Wave Hill, New York. Acrylic, canvas, cardboard, chairs, desk, fiberglass, nylon strings, and wood. Dimensions variable. | source</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/5/12/may-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1620835347187-SC81V6JT74HPXAQHND39/JogilMaWEB.jpg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Be There When You Return by Jongil Ma at Housatonic Museum of Art. Photographer: Paul Mutino.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/5/18/review-legacy-and-rupture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1621349253631-XCO6FLCRZ725UHU51EIY/Monuments1-Williamson.jpg</image:loc>
      <image:title>hello - Review | Legacy &amp;amp; Rupture - Make it stand out</image:title>
      <image:caption>Marissa Williamson, Monuments to Escape installation. City Gallery, May 2021. Image courtesy Howard el-Yasin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1621349123544-FATJ0SFL3Q2HAFEZTACQ/Legacy%26Rupture1_photo+credit+Merik+Goma+%282%29.jpg</image:loc>
      <image:title>hello - Review | Legacy &amp;amp; Rupture - Make it stand out</image:title>
      <image:caption>Installation view of Legacy and Rupture. Ransome’s Coming Out (left) and Nathaniel Donnett’s installation In a subtle but noticeable change, the pattern is transposed a step- higher (right). Credit: M. Goma</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1621349729738-NSQUSLBD41FDDJ2GF69S/IMG_5081.jpg</image:loc>
      <image:title>hello - Review | Legacy &amp;amp; Rupture - Make it stand out</image:title>
      <image:caption>Installation view of Legacy and Rupture, May 2021. City Gallery. Photo: J. Gleisner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/6/17/summer-reading-list-felandus-thames</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623942177714-0S0X3RXBT9UAUZ1624OE/long-division-9781982174828_xlg.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623943238980-1N3SRX4M5JGWL6XKN1K1/9780300230383.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623941679596-5PY63QV0IKK20UGFQP0W/Felandus002.jpg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Installation view of The Things That Haunt Me Still. Real Art Ways, Feb. 13 - May 30, 2021. Photographer: Peter Brown.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623943117664-OSMGMT2ZD0TOH8VCAJL2/9780375703867.jpg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623941944981-NMZFWD8N3R9438LKXX7N/aHR0cHM6Ly9tZWdhcGhvbmUuaW1naXgubmV0L3BvZGNhc3RzL2MxZDE3MzdjLTg1YWEtMTFlYi1iMWVhLTkzMDA3ZDFlZTk3OS9pbWFnZS9NTV9UaWxlX1I1XzEucG5nP2l4bGliPXJhaWxzLTIuMS4yJm1heC13PTMwMDAmbWF4LWg9MzAwMCZmaXQ9Y3JvcCZhdXRvPWZvcm1hdCxjb21wcmVzcw%3D%3D.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623943312678-XXWLBNDC179N3HAAGOLR/812WyTHNPFL.jpg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1623943563520-SSJB4FX9J2GD6R84XAOH/9781478001508_p0_v3_s1200x630.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Felandus Thames - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/6/21/summer-reading-list-polly-shindler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624281935109-8843G6YBRKWQV9G5O78B/circe-madeline-miller.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624281347590-QB7L7IB17AP96VEZ7HEA/Eames+Nolan+and+Calder+commission.jpg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Polly Shindler, Room with Eames, Nolan and Calder (2021). Acrylic on canvas, 11 by 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624281949330-SVIPB7ZZ7I1XSB616TQ4/9780544705241_lres.gif</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624282487852-O06YHDKJIBX1ACQZQ95R/double.jpg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624281491845-EE7BXIOQG437NIC8UEQ4/Balcony+Clothesline+with+Snowball+Virbunum+Shrub.JPEG</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Polly Shindler, Balcony Clothesline with Snowball Virbunum Shrub, (2021). Acrylic on canvas, 20 by 16 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624281420246-WV9AGN11FHQ5V1Y6U1YR/Porch+Time.JPEG</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Polly Shindler, Porch Time, (2021). Acrylic on canvas, 20 by 16 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/6/17/monthly-roundup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624545915250-J3D7ICOXJK5E1HYL1186/Gonzalez%2BHernandez%2C%2BRuby.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Ruby Gonzalez Hernandez at Make Haven, New Haven. Photo: J. Gleisner. From the profile published in November 2019, as part of the series, “The Million-Petaled Flower of Being Here.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/6/29/summer-reading-list-megan-craig</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624986824914-R3336GXQ6WSNGAMDWTQD/IMG_1833.jpg</image:loc>
      <image:title>hello - Summer Reading List | Megan Craig - Make it stand out</image:title>
      <image:caption>Megan Craig, RGB, 2020. Acrylic on cement block wall, 20 X 15 feet (corner of Water and Brown Streets in New Haven, CT). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624987048883-8G4OHOIP55R6S8UV4C9E/MeganCraig_MillStreet2020_web-11.jpg</image:loc>
      <image:title>hello - Summer Reading List | Megan Craig - Make it stand out</image:title>
      <image:caption>Megan Craig, Ground, 2019, cornmeal, dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624987088169-4DDX75SS6KJ7X40XOBVZ/IMG_1985.jpg</image:loc>
      <image:title>hello - Summer Reading List | Megan Craig - Make it stand out</image:title>
      <image:caption>Megan Craig, Isolation Journal, ink on paper, 6 X 4 inches, 2021 (2 drawings a day since March 14, 2020 and counting...)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624987016384-CYXMWL47QOFONRVZXYRM/IMG_1999.jpg</image:loc>
      <image:title>hello - Summer Reading List | Megan Craig - Make it stand out</image:title>
      <image:caption>Megan Craig, Birds and Ox, 2021. Gouache on paper, dimensions variable.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/6/24/studio-visit-yvonne-shortt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624543607288-Z25SHMUJHOF37LG2BX3W/IMG_9880.jpg</image:loc>
      <image:title>hello - Studio Visit | Yvonne Shortt - Make it stand out</image:title>
      <image:caption>Yvonne Shortt, detail of Afro Pick Handle. Porcelain; 22”x6”x20”. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624543777398-V5M22R1ZRVJVLUI14LGM/IMG_9738.jpg</image:loc>
      <image:title>hello - Studio Visit | Yvonne Shortt - Make it stand out</image:title>
      <image:caption>Yvonne Shortt, Rendering of Sanctuary — to be installed in Socrates Sculpture Garden in September. Dimensions: 13’ 4” 13’ 4” x 6’. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624543273209-R1D2DNYJDOGAVLSLRQKB/IMG_9290.jpg</image:loc>
      <image:title>hello - Studio Visit | Yvonne Shortt - Make it stand out</image:title>
      <image:caption>Yvonne Shortt, a sculpture in situ in Newtown, Connecticut. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1624543418615-P9WDNKN6DQKLB06EKZCX/IMG_9553.jpg</image:loc>
      <image:title>hello - Studio Visit | Yvonne Shortt - Make it stand out</image:title>
      <image:caption>Yvonne Shortt, Afro Pick: Flower Power. Garden of Resilience, Queens, NY. Wood, steel and porcelain; 3’x2’ x 6’8”. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/7/30/monthly-roundup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1627653015219-OJB8S9F0A75IU8KFIOTR/Alpha_Omega_2020.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Nicholas Moenich, untitled (Alpha Omega 2020), 2020. Colored pencil on paper; 14 by 11 inches. via Furnace / Art on Paper archive.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/7/30/summer-reading-list-jeff-ostergren</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1627665314157-CSD0KCWUIPWMWEFTPPHA/9780374261597.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1627665262039-E5414IR9HITMMK3DLTSM/oias-cover-spine_360x469.png</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1627665291102-YGNLXIBHSDO2MQS4B9J9/9780385545686.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1627665510906-TA8Y5W4L7ASMFX81F09V/JO2.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren - Make it stand out</image:title>
      <image:caption>Jeff Ostergren, Vaporized (Breathe Freely), 2020. Juul mint e-liquid, Aricept, Aspirin, Claritin, Jolessa, Miralax, Oxycontin, Rozerem, Viagra, Zoloft, Purell hand sanitizer, Blackwater energy drink, pigment, and acrylic on Kevlar ballistic fabric mounted on rubber; 38 by 60 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1627665438091-1MMJZ88WQEESH4BZI0A0/JO1.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jeff Ostergren - Make it stand out</image:title>
      <image:caption>Jeff Ostergren, The History of Algorithmic Colonialism (Bicameral Diptych), 2021. Bupropion, Jolessa, Naltrexone, Oxycontin, Strattera, Viagra, alcohol, oil, and acrylic on two synthetic canvases, 40 by 60 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/9/10/monthly-roundup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1631281364724-8V8S8BCOGPGA7QUIP4LX/Viscardi_feature.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Lydia Viscardi, via Real Art Ways</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1631281227876-N7G8ZVXL4O5FVDI6FCHC/AFLM+Opening.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Vanessa German, A List of Things to Never Be Forgotten, 2016. Collection of Raymond J. Learsy, Image courtesy of the artist and Pavel Zoubok Fine Art, NY. Carrie Mae Weems Untitled, 2009-10, Collection of Rodney Williams, © Carrie Mae Weems. Image courtesy of the artist and Jack Shainman Gallery, New York. As a Child I Loved the Aroma of Coffee, 1988. Collection of Linda Earle, © Carrie Mae Weems. Image courtesy of the artist and Jack Shainman Gallery, New York. Gordon Parks, Children with Doll, Washington D.C., 1942. Image courtesy of and copyright The Gordon Parks Foundation. Dawoud Bey, Five Children, 1985, © Dawoud Bey. Image courtesy of the artist and Sean Kelly, New York.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/10/4/monthly-roundup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633362227467-P6SS7UXEMM7T3W9IU528/download.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Reginald Betts, via NPR</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633364670550-FXV6XPWJ61JV514QEUV9/FEED.jpeg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>FEED, Tileset head 2, 2020. Inkjet print on Epson hot press bright white paper. 36 × 28 1/2 in. Image via Artsy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633364777778-GSXO4IKKB49QYP5E34LQ/ABirdinHand_EBX_2021-0018+%281%29.jpg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Jessica Smolinski, installation view of A Bird in Hand, Jennifer Terzian Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633364967269-SPL3W129OG8RLVITZN3W/3_YUAG_Women+at+Yale_Installation+View.jpg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>View of the exhibition On the Basis of Art: 150 Years of Women atYale, Yale University Art Gallery. Photo: Jessica Smolinski.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/10/4/studio-visit-jessica-smolinski</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633355966481-H1ATIRIZ19TNGSNX0IR4/_MG_4689.CR2.jpg</image:loc>
      <image:title>hello - Studio Visit | Jessica Smolinski - Make it stand out</image:title>
      <image:caption>Smolinski’s daughter in a quilt made by her grandmother, Betty Schwind. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633356373343-1TZLQ6J0LQJ7ONUDQRAK/ABirdinHand_EBX_2021-0018+%281%29.jpg</image:loc>
      <image:title>hello - Studio Visit | Jessica Smolinski - Make it stand out</image:title>
      <image:caption>Installation view of A Bird in Hand, Jennifer Terzian Gallery. October 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633356272510-CU2WMYCOR41OIZICPG3N/PerennialStars-0001+%281%29.jpg</image:loc>
      <image:title>hello - Studio Visit | Jessica Smolinski - Make it stand out</image:title>
      <image:caption>Studio view, August 2021. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633356166561-M2JNZE4274L9UWRVIH5C/55455_1696459862356_5897996_o.jpg</image:loc>
      <image:title>hello - Studio Visit | Jessica Smolinski - Make it stand out</image:title>
      <image:caption>Ink drawing by Edith Houghton, 1970s. Photo courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1633356472291-9Z9ZUBPXR3T1BR832E9H/PerennialStars-0002+%281%29.jpg</image:loc>
      <image:title>hello - Studio Visit | Jessica Smolinski - Make it stand out</image:title>
      <image:caption>Perennial Star (Blue), detail 2021 Archival inkjet prints, thread. 7' by 7'. Photo courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/12/1/studio-visit-althea-rao</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/691ffecf-d619-4286-ad73-f029c306a8e2/C0004-3.jpg</image:loc>
      <image:title>hello - Studio Visit | Althea Rao - Make it stand out</image:title>
      <image:caption>Vagina Chorus rehearsal. Credit: Qiong Wang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/e0b77218-3fd3-42fe-bf39-070a8f71b0f8/Screen+Shot+2021-11-14+at+10.17.05+AM.jpeg</image:loc>
      <image:title>hello - Studio Visit | Althea Rao - Make it stand out</image:title>
      <image:caption>Vagina Chorus Performance, 2021. Credit: Qiong Wang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/2a241849-d17e-45d7-9025-21d3a5df1427/IMG_9200.jpg</image:loc>
      <image:title>hello - Studio Visit | Althea Rao - Make it stand out</image:title>
      <image:caption>Althea Rao in her studio, Washington, D.C. 2018-19. Credit: Xueying Chang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/12/1/monthly-roundup</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/ac499604-9619-48d3-8f53-6c7940389089/Wesleyan_LIC_Sept21_092.jpg</image:loc>
      <image:title>hello - Monthly Roundup - Make it stand out</image:title>
      <image:caption>Installation view of The Language in Common. Credit: Charles Benton.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2021/12/9/studio-visit-toni-miraldi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/85b13390-2a4e-471b-af6b-83e15719c659/2400px+Migration_PhotoArtWorks.jpg</image:loc>
      <image:title>hello - Studio Visit | Toni Miraldi - Make it stand out</image:title>
      <image:caption>Toni Miraldi, Migration, 2018. Public Art Mural, 81” x 177”. Historic Downtown Post Office Walk, Danbury, CT. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1917d129-a1f9-4cb7-a5c4-b13255e911bc/A-Wellness-Life-Studio-Mural+%281%29.jpg</image:loc>
      <image:title>hello - Studio Visit | Toni Miraldi - Make it stand out</image:title>
      <image:caption>Toni Miraldi, Inspiration &amp; Transformation, 2019. Fitness Studio Mural, 81” x 117”. A Wellness Life, Sandy Hook, CT. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/8cd83805-ae9f-4ddd-b9ff-f9de5c031925/Allora-Mural-1.jpg</image:loc>
      <image:title>hello - Studio Visit | Toni Miraldi - Make it stand out</image:title>
      <image:caption>Toni Miraldi, Allora, 2020. Coffeehouse Mural, 60” x 96”. Allora Coffee + Bites, Norwalk, CT. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/2/23/the-time-snatchers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/1eb65f64-987c-4ab6-bc6f-d8aba443bd58/Sister+Studio_WEB.jpg</image:loc>
      <image:title>hello - The Time Snatchers - Make it stand out</image:title>
      <image:caption>Suzanne Schireson, Sister Studio (2021); Oil on paper, 30 x 22 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/6ba50a84-ee75-445f-a2f1-c205919623e6/Purple+Room+Turquise+Moon_WEB.jpg</image:loc>
      <image:title>hello - The Time Snatchers - Make it stand out</image:title>
      <image:caption>Suzanne Schireson, Purple Room, Turquoise Moon (2022); Oil on paper, 30 x 22 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/fb654702-9e16-4e52-a839-ddea81815445/Night-Studios-03_SMALL.jpg</image:loc>
      <image:title>hello - The Time Snatchers - Make it stand out</image:title>
      <image:caption>Installation view of Night Studios, Seton Gallery, University of New Haven, February 2022. Photographer: Liz Calvi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/3f07cf1c-5617-46fd-b6da-05340e4ddc05/Night-Studios-21_SMALL.jpg</image:loc>
      <image:title>hello - The Time Snatchers - Make it stand out</image:title>
      <image:caption>Installation view of Night Studios, Seton Gallery, University of New Haven, February 2022. Photographer: Liz Calvi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/3/15/exhibition-review-lennart-anderson-portraits-at-the-lyme-academy-of-fine-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/12bb7eeb-44c8-495d-8de9-8258b7281dda/Screen+Shot+2021-06-30+at+9.00.19+AM+copy.png</image:loc>
      <image:title>hello - Review | Lennart Anderson Portraits at the Lyme Academy of Fine Arts - Make it stand out</image:title>
      <image:caption>Lennart Anderson, Portrait of Barbara Stenglein-Anderson, 1990-1991; Oil on Canvas; 16 x 20 in., Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/82d2d66f-1907-4f1b-852d-f53fa4ce2ff6/Screen+Shot+2021-06-30+at+9.33.36+AM+copy.png</image:loc>
      <image:title>hello - Review | Lennart Anderson Portraits at the Lyme Academy of Fine Arts - Make it stand out</image:title>
      <image:caption>Lennart Anderson, Portrait of a Young Black Man, 1993; Oil on Canvas, 22 x 17 in. Collection of Richard T. Spurzem.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/906970e2-548c-4040-952a-caf73ce3c508/1Q8A2014+%281%29.jpg</image:loc>
      <image:title>hello - Review | Lennart Anderson Portraits at the Lyme Academy of Fine Arts - Make it stand out</image:title>
      <image:caption>Lennart Anderson, Portrait of Barbara S. (the first one), 1972; Oil on Canvas, 21 7/8 x 18 in. Collection of Vincent Arcilesi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/7/6/summer-reading-list-julia-hendrickson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/33f72ac3-c9df-487f-badc-89beb19078da/JH_ascending++%232.jpg</image:loc>
      <image:title>hello - Summer Reading List | Julia Hendrickson - Make it stand out</image:title>
      <image:caption>Julia Hendrickson, Ascending (2021). Watercolor and salt on Rives BFK, 22 by 30 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/8282ff35-3216-4353-b243-327c73f08b94/JH_river+bones+%281%29.jpg</image:loc>
      <image:title>hello - Summer Reading List | Julia Hendrickson - Make it stand out</image:title>
      <image:caption>Julia Hendrickson, River Bones (2022). Watercolor on Rives BFK, 22 by 30 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/7/14/summer-reading-list-sarah-baker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/2501ae0b-1b4f-464e-aa58-8ab39c013614/quit+like+a+woman.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Sarah Baker - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/d3cac147-6889-48f2-8225-1e947fd5c404/cover_Sleeve_Frick-SRGB-2000.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Sarah Baker - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/55d88126-7ab5-42cb-82f9-5156467554a7/every+good+boy.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Sarah Baker - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/7/15/summer-reading-list-jenna-mcilwrath</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/0b15e3c4-9c5b-4b44-8efc-1c28ae2a9a62/superache.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Jenna McIlwrath - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/00fc5bb8-30e7-4f00-8912-fb489fce46aa/Emotions%2BGallery%2BAnnouncment%2BStill.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Jenna McIlwrath - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/78f38f0b-2579-435f-aa05-1f50ba489e3a/crooked+hearts.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Jenna McIlwrath - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/8/4/summer-reading-list-skye-gilkerson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/4bc00de8-f9cf-4005-83ec-d4149a1f6bdd/spell.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Skye Gilkerson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/f17eb264-f516-4bba-8942-84ad0b6e715e/10au.03+at+5+seconds.jpg</image:loc>
      <image:title>hello - Summer Reading List | Skye Gilkerson - Make it stand out</image:title>
      <image:caption>Skye Gilkerson, 10au.03 at 5 seconds, sound vibration and suminagashi ink on paper, 12” x 15”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/99d89666-7fa8-4948-a845-44a7b6b6b6f9/15%C2%B0+S_+115%C2%B0+W+at+7+seconds.jpg</image:loc>
      <image:title>hello - Summer Reading List | Skye Gilkerson - Make it stand out</image:title>
      <image:caption>Skye Gilkerson, 15° S; 115° W at 7 seconds, sound vibration and suminagashi ink on paper, 21” x 15”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/f1629251-c841-42ef-a7cd-f48935911ce5/ink.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Skye Gilkerson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/368e9447-1c0d-4ddc-a446-fdc863416482/Spider_01.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Skye Gilkerson - Make it stand out</image:title>
      <image:caption>Sin Eater for Quanta Magazine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/8/11/summer-reading-list-jordan-buschur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/56c9e432-48ed-4edf-825a-fbcb0eb18115/Buschur_NaturalKnickKnacks.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jordan Buschur - Make it stand out</image:title>
      <image:caption>Jordan Bushur, Natural Knick-Knacks, acrylic on panel, 36" x 24", 2021. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/8055a948-d748-4fb4-8410-cc7c80be130a/Buschur_stack+3.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jordan Buschur - Make it stand out</image:title>
      <image:caption>Jordan Buschur, Stack 3, acrylic on paper, 8" x 10", 2022. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/86979976-9131-4203-8196-76b8375926b7/Buschur_ChangingHands.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jordan Buschur - Make it stand out</image:title>
      <image:caption>Jordan Buschur, Changing Hands, acrylic on panel, 36" x 24", 2022. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/467e647b-c907-41ea-bd22-11b5687026f3/Buschur_Compass.jpg</image:loc>
      <image:title>hello - Summer Reading List | Jordan Buschur - Make it stand out</image:title>
      <image:caption>Jordan Buschur, Compass, acrylic on panel, 40" x 30", 2020. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/8/15/summer-reading-list-cullen-washington-jr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/5a9b38bd-83da-4276-9bae-3badba90cd44/a89fce16eee189ae5bbba6c5f89df4d1.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Cullen Washington, Jr. - Make it stand out</image:title>
      <image:caption>Cullen Washington, Jr., Agora 8 (2018); mixed media on canvas, 13 ft x 9 ft. Image courtesy cwashingtonstudio.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/10dfea3c-e859-4821-b634-97b6f0c52867/primer2.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Cullen Washington, Jr. - Make it stand out</image:title>
      <image:caption>Cullen Washington, Jr., Primer 8 (2022); mixed media on canvas, 43 x 97 inches. Image courtesy cwashingtonstudio.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/07e7e120-6409-43ba-a1b0-88ad7fba06c8/metu.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Cullen Washington, Jr. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/069165ce-2ca2-4b57-882c-d93214799940/stalking.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Cullen Washington, Jr. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/202cec88-6539-44df-bb7e-fa95f615b6ba/51SkPK2JHsL._SX306_BO1%2C204%2C203%2C200_.jpg</image:loc>
      <image:title>hello - Summer Reading List | Cullen Washington, Jr. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/8/23/summer-reading-list-polly-shindler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/2ab21c70-23f2-4684-bfd0-a7732a70942a/Polly001.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/82494707-fcee-4c01-9ea2-55880639ae0b/PS003.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/a83fdf87-cd62-4bd9-bd07-785eaca563e3/PS004.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/11145dbd-dc98-4b04-8e91-0904a0c5dcac/Bedroom-with-Paint-Samples_small.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Polly Shindler, Bedroom with Paint Samples, 2020; 14 x 11 inches, Acrylic on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/80f3ca6a-2d23-4229-a215-9ec8c50c0397/PS002.jpeg</image:loc>
      <image:title>hello - Summer Reading List | Polly Shindler - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2022/9/7/profile-kim-weston</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/5c5074ff-9ae1-436d-9cf2-ffa7a2c1a47e/kimwestonimages-10_Traditional.jpeg</image:loc>
      <image:title>hello - Studio Visit | Kim Weston - Make it stand out</image:title>
      <image:caption>Kim Weston, from the series Layers of the Soul. Image from Kehler Liddell Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/9b52d8c8-c0ce-483a-92a9-42520db08cfd/kimwestonimages-2_Radiant.jpeg</image:loc>
      <image:title>hello - Studio Visit | Kim Weston - Make it stand out</image:title>
      <image:caption>Kim Weston, from the series Layers of the Soul. Image from Kehler Liddell Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/257d8cec-3434-43cf-80e8-f6ab0e9a094e/IMG_0513.jpeg</image:loc>
      <image:title>hello - Studio Visit | Kim Weston - Make it stand out</image:title>
      <image:caption>Image courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/e94ece5d-0404-4f54-9b8c-74599ce1c309/IMG_0503.jpeg</image:loc>
      <image:title>hello - Studio Visit | Kim Weston - Make it stand out</image:title>
      <image:caption>Image courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.connecticutartreview.com/blog/2023/3/13/review-possible-futures-hanif-abdurraqib</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bbcf46c11f7841ec6d0c9c5/33657aae-c7ad-438a-968b-19e1f1105fed/CHYX5842.JPG</image:loc>
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